{"title":"Film Theory, Culture \u0026 Criticism","description":null,"products":[{"product_id":"a-century-in-uniform-military-women-in-american-films-paperback","title":"A Century in Uniform: Military Women in American Films - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eStacy Fowler\u003c\/b\u003e (Author), \u003cb\u003eDeborah A. Deacon\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e From silents of the early American motion picture era through 21st century films, this book offers a decade-by-decade examination of portrayals of women in the military. The full range of genres is explored, along with films created by today's military women about their experiences.\u003c\/p\u003e\u003cp\u003e Laws regarding women in the service are analyzed, along with discussion of the challenges they have faced in the push for full participation and of the changing societal attitudes through the years.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eStacy Fowler\u003c\/b\u003e is a law librarian and tenured professor at St. Mary's University in San Antonio. Her scholarship is focused on women in the military and gender inequity in any form. \u003cb\u003e\u003c\/b\u003e\u003cb\u003eDeborah A. Deacon\u003c\/b\u003e is an art historian and retired U.S. Navy commander who resides in Arizona. She has published numerous articles and books on women artists and war, depictions of military women in film and comics, and Japanese anime and manga\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 228\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.6 x 9.9 x 6.9 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e January 05, 2020\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481619648698,"sku":"9781476677132","price":81.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/WvVrRr0Kmr9781476677132.webp?v=1787695388"},{"product_id":"un-american-hollywood-politics-and-film-in-the-blacklist-era-paperback","title":"'Un-American' Hollywood: Politics and Film in the Blacklist Era - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eFrank Krutnik\u003c\/b\u003e (Editor), \u003cb\u003eSteve Neale\u003c\/b\u003e (Editor), \u003cb\u003eBrian Neve\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThe concept of \"un-Americanism,\" so vital to the HUAC crusade of the 1940s and 1950s, was resoundingly revived in the emotional rhetoric that followed the September 11th terrorist attacks. Today's political and cultural climate makes it more crucial than ever to come to terms with the consequences of this earlier period of repression and with the contested claims of Americanism that it generated.\u003c\/p\u003e\u003cp\u003e\u003ci\u003e \"Un-American\" Hollywood\u003c\/i\u003e reopens the intense critical debate on the blacklist era and on the aesthetic and political work of the Hollywood Left. In a series of fresh case studies focusing on contexts of production and reception, the contributors offer exciting and original perspectives on the role of progressive politics within a capitalist media industry. \u003c\/p\u003e\u003cp\u003e Original essays scrutinize the work of individual practitioners, such as Robert Rossen, Joseph Losey, Jules Dassin, and Edward Dmytryk, and examine key films, including \u003ci\u003eThe Robe, Christ in Concrete, The House I Live In, The Lawless, The Naked City, The Prowler, Body and Soul, \u003c\/i\u003eand\u003ci\u003e FTA\u003c\/i\u003e. \u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eFrank Krutnik teaches film at Sussex University. Steve Neale is a professor of film studies at Exeter University. Brian Neve is a senior lecturer in politics at the University of Bath. Peter Stanfield is a reader in film studies at the University of Kent.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 416\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.92 x 9.21 x 6.5 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e December 27, 2007\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481619943610,"sku":"9780813541983","price":71.73,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/gn29uxtFVz9780813541983.webp?v=1787695392"},{"product_id":"a-companion-to-film-theory-paperback","title":"A Companion to Film Theory - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eToby Miller\u003c\/b\u003e (Editor), \u003cb\u003eRobert Stam\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eThis volume of specially commissioned work by experts in the field of film studies provides a comprehensive overview of the field. Its international and interdisciplinary approach will have a broad appeal to those interested in this multifaceted subject.\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eProvides a major collection of specially commissioned work by experts in the field of film studies.\u003c\/li\u003e \u003cli\u003eRepresents material under a variety of headings, including class, race, gender, queer theory, nation, stars, ethnography, authorship, and spectatorship.\u003c\/li\u003e \u003cli\u003eOffers an international approach to the subject, including coverage of topics such as genre, image, sound, editing, culture industries, early cinema, classical Hollywood, and TV relations and technology.\u003c\/li\u003e \u003cli\u003eIncludes concise chapter-by-chapter accounts of the background and current approaches to each topic, followed by a prognostication on the future.\u003c\/li\u003e \u003cli\u003eConsiders cinema studies in relation to other forms of knowledge, such as critical studies, anthropology, and literature.\u003c\/li\u003e \u003c\/ul\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThis volume of specially commissioned work by experts in the field of film studies provides a comprehensive overview of the field. Its international and interdisciplinary approach will have a broad appeal to those interested in this multifaceted subject.\u003c\/p\u003e \u003cp\u003eThis major film theory collection: \u003c\/p\u003e \u003cul\u003e \u003cli\u003eRepresents material under a variety of headings, including class, race, gender, queer theory, nation, stars, ethnography, authorship, and spectatorship\u003c\/li\u003e \u003cli\u003eOffers an international approach to the subject, including coverage of topics such as genre, image, sound, editing, postmodernism, culture industries, early cinema, classical Hollywood, and TV relations and technology\u003c\/li\u003e \u003cli\u003eIncludes concise chapter-by-chapter accounts of the background and current approaches to each topic, followed by a prognostication on the future\u003c\/li\u003e \u003cli\u003eConsiders cinema studies in relation to other forms of knowledge, such as critical studies, anthropology, and literature.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003ci\u003eA Companion to Film Theory\u003c\/i\u003e provides the ideal reference source for students of film theory in departments of cultural studies, media studies, literature, and sociology.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eToby Miller\u003c\/b\u003e is Professor in the Cinema Studies Department at New York University. He is the author or editor of a wide range of work in cultural studies, including \u003ci\u003eA Companion to Cultural Studies\u003c\/i\u003e (Ed. Blackwell Publishing, 2001), \u003ci\u003eTechnologies of Truth\u003c\/i\u003e (1998) and (with Alec McHoul) \u003ci\u003ePopular Culture and Everyday Life\u003c\/i\u003e (1998). He is also co-editor of the journal \u003ci\u003eSocial Text\u003c\/i\u003e and (with Robert Stam) co-editor of \u003ci\u003eFilm and Theory: An Anthology\u003c\/i\u003e (Blackwell Publishing, 2000). \u003cbr\u003e \u003c\/p\u003e\u003cp\u003e \u003cb\u003eRobert Stam\u003c\/b\u003e is Professor in the Cinema Studies Department at New York University. His many books include \u003ci\u003eFilm Theory: An Introduction\u003c\/i\u003e (Blackwell Publishing, 1999); \u003ci\u003eTropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture\u003c\/i\u003e (1997); \u003ci\u003eUnthinking Eurocentrism: Multiculturalism and the Media\u003c\/i\u003e, with Ella Shohat (1994), which won the Katherine Singer Kovocs \"Best Film Book Award\"; and \u003ci\u003eSubversive Pleasures: Bakhtin, Cultural Criticism, and Film\u003c\/i\u003e (1992). He is also co-editor (with Toby Miller) of \u003ci\u003eFilm and Theory: An Anthology\u003c\/i\u003e (Blackwell Publishing, 2000).\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 436\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 1.27 x 9.64 x 6.74 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e May 21, 2004\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481620336826,"sku":"9780631206453","price":102.17,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/53a1Kl5J3M9780631206453.webp?v=1787695393"},{"product_id":"a-credible-utopia-essays-on-selected-films-of-werner-schroeter-paperback","title":"A Credible Utopia: Essays on Selected Films of Werner Schroeter - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003ePeter Valente\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eA Credible Utopia: Essays on Selected Films of Werner Schroeter\u003c\/i\u003e offers unique and personal insights into Schroeter's cinematic universe. Many of the films discussed in this book are those upon which Schroeter's worldwide reputation rests: \u003ci\u003eDer Bomberpilot\u003c\/i\u003e, an absurdist comedy; \u003ci\u003eThe Death of Maria Malibran\u003c\/i\u003e, a film about ecstatic redemption in death; \u003ci\u003eWillow Springs\u003c\/i\u003e, about the complex relationships between men and women;\u003ci\u003e Day of the Idiots\u003c\/i\u003e, a visually baroque, operatic and highly dramatic film about madness; \u003ci\u003eThe Kingdom of Naples\u003c\/i\u003e, Schroeter's visually stunning depiction of Italy in the post-war years; and\u003ci\u003e Palermo or Wolfsburg, \u003c\/i\u003e for which Schroeter won the Golden Bear, an epic film about love, violence, and cultural malaise. But Valente also addresses Schroeter's early experimental films that don't get as much attention, such as\u003ci\u003e Aggression, Neurasia, \u003c\/i\u003e and\u003ci\u003e Argila, \u003c\/i\u003e all of which are about the struggle between repression and desire, and \u003ci\u003eDeux\u003c\/i\u003e, a late work that Schroeter considered his masterpiece, a film about the double and the ways in which identity is formed by integrating the abject part of ourselves with the good. Valente concludes with an analysis of \u003ci\u003eNuit de Chien\u003c\/i\u003e, Schroeter's final film, a powerful summation of a live devoted to art, music, literature, and film.\u003c\/p\u003e\u003cp\u003eWhen the Museum of Modern Art staged a retrospective of Schroeter's ouevre in 2012, there was hardly anything in English on his films and only one film available on DVD in the US, such that Schroeter's work as a director has remained largely invisible in the English-speaking world. \u003ci\u003eA Credible Utopia\u003c\/i\u003e repairs this lacuna in film history, and, in a detailed and intimate reading of Schroeter's queer ouevre, links all these films together through Schroeter's desire for a \"credible utopia,\" despite our shared awareness of disaster, torture, viciousness, and political corruption in the world.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003ePeter Valente\u003c\/b\u003e is a writer, translator, and author of twelve books, including a translation of Nanni Balestrini's \u003ci\u003eBlackout\u003c\/i\u003e (Commune Editions, 2017), which received a starred review in \u003ci\u003ePublisher's Weekly.\u003c\/i\u003e His most recent book is \u003ci\u003eEssays on the Peripheries\u003c\/i\u003e (punctum books, 2021). Forthcoming is his translation of \u003ci\u003eNicolas Pages\u003c\/i\u003e by Guillaume Dustan (Semiotext(e), 2023) and his translation of Gérard de Nerval, \u003ci\u003eThe Illuminated\u003c\/i\u003e (Wakefield Press, 2022).\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 172\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.37 x 8 x 5 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e September 05, 2022\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481620500666,"sku":"9781685710569","price":29.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/vp4mVX57GX9781685710569.webp?v=1787695397"},{"product_id":"a-jungian-perspective-on-the-therapist-patient-relationship-in-film-cinema-as-our-therapist-paperback","title":"A Jungian Perspective on the Therapist-Patient Relationship in Film: Cinema As Our Therapist - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eRuth Netzer\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eWithin this book, Ruth Netzer explores the archetypal components of therapist-patient relations in cinema from the perspective of Jungian archetypal symbolism, and within the context of myth and ritual.\u003c\/p\u003e\u003cp\u003eFilm is a medium that is attracted to the extremes of this specific relationship, depicting the collapse of the accepted boundaries of therapy; though on the other hand, cinema also loves the fantasy of therapy as intimacy. Through the medium of film, and employing examples from over 45 well-known films, the author analyzes the successes and failures of therapists within film, and reviews the concepts of transference and counter-transference and their therapeutic and redemptive powers, in contrast to their potential for destruction and exploitation within the context of a patient-therapist relationship.\u003c\/p\u003e\u003cp\u003eThis book will be a fascinating read for Jungian analysts, psychologists, psychiatrists, and therapists with an interest in the link between cinema and therapy, as well as filmmakers and students and teachers of film studies.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eRuth Netzer\u003c\/b\u003e is a clinical psychologist, Jungian analyst (senior lecturer and supervisor), poet, and painter, and does research in literature and cinema. She has published 12 non-fiction books on Jungian psychology and 12 books of poetry (which have won 5 literary awards), as well as scores of professional articles. She teaches at the School of Jungian Psychotherapy in Seminar HaKibbutzim College in Israel.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 144\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.33 x 9.21 x 6.14 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e May 27, 2024\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481634033850,"sku":"9781032608341","price":74.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/bh1i_GP0m19781032608341.webp?v=1787695609"},{"product_id":"a-grammar-of-the-film-an-analysis-of-film-technique-paperback","title":"A Grammar of the Film: An Analysis of Film Technique - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eRaymond Spottiswoode\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eOriginally published in England in 1935, this book is an attempt to isolate the fundamental principles of film art and to teach in concrete detail how these principles are well or badly applied in the production of films. This essential task, shirked or derided by most film critics today, Spottiswoode executed with skill and perception. He traced the history of the new medium, analyzed the aesthetic factors governing proper use of camera angle and movement, cuts, dissolves, sound, and other elements of film construction. He also examined the proces by which films produce their special effects upon audiences. A Grammar of the Film contains some predictions that history has belied, and as the author remarks in his preface, parts of it abound in distinctions without differences. Yet its analytic perspective remains sound and useful, because the passage of years has brought little significant experimentation and little change in the basic aesthetic problems of the medium. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1950.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eRaymond Spottiswood\u003c\/b\u003e, who has had considerable experience in film making, is the author also of \u003ci\u003eFilm and Its Techniques\u003c\/i\u003e, the standard film-production manual.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 334\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.75 x 7.48 x 4.72 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e April 29, 2022\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481634492602,"sku":"9780520306929","price":89.91,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/MRN0PhJ12s9780520306929.webp?v=1787695614"},{"product_id":"a-guide-to-the-film-bully-fostering-empathy-and-action-in-schools-revised-edition-paperback","title":"A Guide to the Film Bully: Fostering Empathy and Action in Schools (REVISED EDITION) - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eFacing History and Ourselves\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eThis guide provides teachers with research, testimony, and discussion ideas to help them foster honest and informed classroom dialogue about the issues raised in the documentary film Bully.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 40\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.08 x 11.02 x 8.5 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e March 01, 2013\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481634394298,"sku":"9780983787075","price":12.89,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/MrSisA0Leg9780983787075.webp?v=1787695614"},{"product_id":"a-look-at-film-and-social-justice-in-cinema-today-paperback","title":"A Look at Film and Social Justice in Cinema Today - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eStephen Dest\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eA Look at Film and Social Justice in Cinema Today navigates the intersection of filmmaking and its role in highlighting social justice issues. This book examines how some modern cinema has shifted from predominantly featuring stories of heterosexual white males to a more inclusive representation of diverse racial and ethnic narratives that address discrimination and systemic injustice.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eEach chapter dissects influential films that not only entertain but also provoke thought and social awareness, providing readers with frameworks for critical analysis. The text goes beyond offering mere overviews of these films, engaging with the underlying reasons and social commentaries embedded within them. In doing so, the book serves as a tool for film and media studies, enhancing readers' ability to write comprehensive film analyses while understanding the films' intentions and societal impact.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eA Look at Film and Social Justice in Cinema Today is well-suited for undergraduate courses focused on film studies, media representation, and social justice. The book explores both the artistic and practical aspects of film analysis, making it relevant for students and educators aiming to explore cinema through a lens of social reform and digital media's role in storytelling.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 70\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.15 x 10 x 8 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e May 06, 2024\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481634590906,"sku":"9781793541079","price":140.13,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/Jm83WZF4pD9781793541079.webp?v=1787695614"},{"product_id":"100-movie-moments-100-film-clips-that-bring-the-bible-off-the-page-paperback","title":"100 Movie Moments: 100 film clips that bring the Bible off the page - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eDave Hopwood\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eA collection of movie clips you can quote in your talk\/sermon\/thought for the day. You don't need to show the clip DVD. Just tell the story as it's recorded here to illustrate the appropriate theme\/s or Bible text. Also useful for personal reflection or group discussion.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 82\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.17 x 7.99 x 5 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e November 06, 2014\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481635082426,"sku":"9781503098695","price":7.43,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/TNA1tKEJoW9781503098695.webp?v=1787695624"},{"product_id":"a-history-of-pain-trauma-in-modern-chinese-literature-and-film-paperback","title":"A History of Pain: Trauma in Modern Chinese Literature and Film - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eMichael Berry\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThe portrayal of historical atrocity in fiction, film, and popular culture can reveal much about the function of individual memory and the shifting status of national identity. In the context of Chinese culture, films such as Hou Hsiao-hsien's \u003ci\u003eCity of Sadness\u003c\/i\u003e and Lou Ye's \u003ci\u003eSummer Palace\u003c\/i\u003e and novels such as Ye Zhaoyan's \u003ci\u003eNanjing 1937: A Love Story\u003c\/i\u003e and Wang Xiaobo's \u003ci\u003eThe Golden Age\u003c\/i\u003e collectively reimagine past horrors and give rise to new historical narratives. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eMichael Berry takes an innovative look at the representation of six specific historical traumas in modern Chinese history: the Musha Incident (1930); the Rape of Nanjing (1937-38); the February 28 Incident (1947); the Cultural Revolution (1966-76); Tiananmen Square (1989); and the Handover of Hong Kong (1997). He identifies two primary modes of restaging historical violence: \u003ci\u003ecentripetal trauma\u003c\/i\u003e, or violence inflicted from the outside that inspires a reexamination of the Chinese nation, and \u003ci\u003ecentrifugal trauma\u003c\/i\u003e, which, originating from within, inspires traumatic narratives that are projected out onto a transnational vision of global dreams and, sometimes, nightmares. \u003cp\u003e\u003c\/p\u003eThese modes allow Berry to connect portrayals of mass violence to ideas of modernity and the nation. He also illuminates the relationship between historical atrocity on a national scale and the pain experienced by the individual; the function of film and literature as historical testimony; the intersection between politics and art, history and memory; and the particular advantages of modern media, which have found new means of narrating the burden of historical violence. \u003cp\u003e\u003c\/p\u003eAs Chinese artists began to probe previously taboo aspects of their nation's history in the final decades of the twentieth century, they created texts that prefigured, echoed, or subverted social, political, and cultural trends. \u003ci\u003eA History of Pain\u003c\/i\u003e acknowledges the far-reaching influence of this art and addresses its profound role in shaping the public imagination and conception-as well as misconception-of modern Chinese history.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eMichael Berry is associate professor of contemporary Chinese cultural studies at the University of California, Santa Barbara. He is the author of \u003ci\u003eSpeaking in Images: Interviews with Contemporary Chinese Filmmakers\u003c\/i\u003e, \u003ci\u003eJia Zhang-ke's Hometown Trilogy\u003c\/i\u003e, and \u003ci\u003eMemories of Shadows and Light: In Dialogue with the Cinematic World of Hou Hsiao-hsien\u003c\/i\u003e (in Chinese) and the translator of several novels, including \u003ci\u003eTo Live\u003c\/i\u003e, \u003ci\u003eNanjing 1937: A Love Story\u003c\/i\u003e, \u003ci\u003eWild Kids: Two Novels About Growing Up\u003c\/i\u003e, and, with Susan Chan Egan, \u003ci\u003eThe Song of Everlasting Sorrow: A Novel of Shanghai\u003c\/i\u003e.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 432\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 1 x 9.1 x 6.1 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e May 17, 2011\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481635213498,"sku":"9780231141635","price":72.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/piyjb6gDO9780231141635.webp?v=1787695623"},{"product_id":"a-house-made-of-light-essays-on-the-art-of-film-paperback","title":"A House Made of Light: Essays on the Art of Film - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eGeorge Toles\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eWhen the lights go down and the film starts to roll, we give ourselves over to the magic of movies. But as George Toles observes, what we experience in this house of light may strike closer to home than we imagine.\u003cbr\u003e \u003cbr\u003e In eleven essays, Toles combines aesthetic inquiry with a psychology of spectatorship to illuminate the dialogue between sentiment and irony that unfolds in every good movie. Reflecting a literary critic's and professional screenwriter's ongoing love affair with cinema, each essay plunges the reader into the experience of one or more films, inviting us to ponder the nature and implications of that experience. Toles considers a wide variety of film experience, from Frank Capra to the Coen brothers to Alfred Hitchcock.\u003cbr\u003e \u003cbr\u003e However escapist a trip to the movies might be, says Toles, there is no escaping some version of \"home\" in every film experience. Toles examines important homes--from the cottage in Random Harvest to the foreboding Bates house in Psycho--to suggest that the house of film is a frame we long to enter in the spirit of homecoming but one that we cannot possess any more securely than the lost home of our beginnings. As film study marks a return to art-centered criticism, A House Made of Light breaks new ground in its assessment of the creation--and enjoyment--of movies.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eGeorge Toles is a screenwriter and the chair of film studies and professor of English at the University of Manitoba. He has written screenplays for a number of Guy Maddin films, including Careful and Twilight of the Ice Nymphs\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 368\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.79 x 9.08 x 6.74 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e September 23, 2005\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481635344570,"sku":"9780814329467","price":53.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/Er4wyM3Ovh9780814329467.webp?v=1787695623"},{"product_id":"a-green-and-pagan-land-myth-magic-and-landscape-in-british-film-and-television-paperback","title":"A Green and Pagan Land: Myth, Magic and Landscape in British Film and Television - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eDavid Huckvale\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e British literature often refers to pagan and classical themes through richly detailed landscapes that suggest more than a mere backdrop of physical features. The myth-inspired writings of Alfred, Lord Tennyson, Algernon Blackwood, Aleister Crowley, Lord Dunsany and even Kenneth Grahame's \u003ci\u003eThe Wind in the Willows\u003c\/i\u003e informed later British films and television dramas such as \u003ci\u003eThe Owl Service\u003c\/i\u003e (1969-70), \u003ci\u003eBlood on Satan's Claw\u003c\/i\u003e (1971), \u003ci\u003eThe Wicker Man\u003c\/i\u003e (1973), \u003ci\u003eExcalibur\u003c\/i\u003e (1981) and Monty Python and the Holy Grail (1975).\u003c\/p\u003e\u003cp\u003e The author analyzes the evocative language and esthetics of landscapes in literature, film, television and music, and how \"psycho-geography\" is used to explore the influence of the past on the present.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eDavid Huckvale\u003c\/b\u003e has worked as a researcher, writer and presenter for BBC Radio and as a lecturer for various universities in England. He lives in rural Bedfordshire.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 227\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.8 x 8.7 x 5.8 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e February 01, 2018\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481635377338,"sku":"9781476670508","price":53.91,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/VXO5briZG9781476670508.webp?v=1787695623"},{"product_id":"a-film-philosophy-of-ecology-and-enlightenment-paperback","title":"A Film-Philosophy of Ecology and Enlightenment - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eRupert Read\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eInspired by the philosophy of Wittgenstein and his idea that the purpose of real philosophical thinking is not to discover something new, but to show in a strikingly different light what is already there, this book provides philosophical readings of a number of 'arthouse' and Hollywood films.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eRupert Read is Reader in Philosophy at the University of East Anglia, UK. He is a renowned Wittgensteinian scholar, with research interests in political and environmental philosophy. His published monographs to date are \u003ci\u003eKuhn\u003c\/i\u003e (co-authored, 2002), \u003ci\u003eApplying Wittgenstein \u003c\/i\u003e(2007), \u003ci\u003ePhilosophy for Life\u003c\/i\u003e (2007), \u003ci\u003eThere is No Such Thing as a Social Science\u003c\/i\u003e (2008), \u003ci\u003eWittgenstein Among the Sciences\u003c\/i\u003e (2012), and \u003ci\u003eA Wittgensteinian Way with Paradoxes\u003c\/i\u003e (2012). His editorial experience includes \u003ci\u003eThe New Hume Debate\u003c\/i\u003e (co-edited, 2000), \u003ci\u003eFilm as Philosophy: Essays on Cinema after Wittgenstein and Cavell\u003c\/i\u003e (2005), and the work for which he is perhaps still best known, \u003ci\u003eThe New Wittgenstein\u003c\/i\u003e (Routledge, 2000), which offers a major re-evaluation of Wittgenstein's thinking.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 244\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.52 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e September 30, 2020\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481635573946,"sku":"9780367664916","price":103.66,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/vHpSWZ4pSP9780367664916.webp?v=1787695626"},{"product_id":"a-medium-seen-otherwise-photography-in-documentary-film-paperback","title":"A Medium Seen Otherwise: Photography in Documentary Film - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eRoger Hallas\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eThrough a new look at how political, historical, and art documentaries engage with photographic images, objects, and archives, \u003cem\u003eA Medium Seen Otherwise \u003c\/em\u003eargues that film allows us to better understand what people do with analog and digital photographs as material objects that enable social and political relations through multisensory experience. Moreover, as a time-based medium with sound, film can bring the event of photography into fuller view, demonstrating how no single participant in it (photographer, subject, camera, photograph, or viewer) has sovereignty over its affect, meaning, or value. The book thus explores the ways in which the innovative incorporation of photography into documentary film permits us to see both of these media otherwise. Photographs, whether professional or vernacular, are conventionally understood to furnish documentaries with indexical evidence and visual illustration of history, yet the spatio-temporal and aural dimensions of film permit documentaries to illuminate photography's wider capacities beyond the merely representational. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eCombining new critical perspectives on well-known documentary filmmakers and photographers (Agnès Varda, Rithy Panh, Edward Burtynsky, Malick Sidibé, Vivian Maier, JR, Ken Burns, Errol Morris, and Akram Zaatari) with analyses of lesser known, but important, documentaries, author Roger Hallas investigates a global range of documentary and vernacular photographic contexts, including Lebanon, Palestine, Mali, Congo, Cambodia, Ireland, Spain, Mexico, Chile, Canada, and the US. While authorship and representation remain common rhetorical frameworks for documentaries about photography, \u003cem\u003eA Medium Seen Otherwise\u003c\/em\u003e offers a compelling account of how the intermediality between documentary film and photography can posit far more expansive conceptions of both media. A companion website shows clips of films discussed in the book.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eRoger Hallas\u003c\/strong\u003e is Associate Professor of English at Syracuse University, where he teaches Film, Visual Culture, and Queer studies. He is the author of \u003cem\u003eReframing Bodies: AIDS, Bearing Witness, and the Queer Moving Image\u003c\/em\u003e (2009), the co-editor of \u003cem\u003eThe Image and the Witness: Trauma, Memory, and Visual Culture\u003c\/em\u003e (2007), and the editor of \u003cem\u003eDocumenting the Visual Arts\u003c\/em\u003e (2020).\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 276\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.66 x 9.25 x 6.16 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e July 21, 2023\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481635639482,"sku":"9780190057770","price":63.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/1_MAGa3eeU9780190057770.webp?v=1787695626"},{"product_id":"a-modern-hero-rethinking-the-role-of-heroism-through-films-and-video-games-paperback","title":"A Modern Hero: Rethinking the role of heroism through films and video games - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eJulian Delphiki\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\"A Modern Hero: Rethinking the Role of Heroism through Films and Video Games\" is a thought-provoking book that delves into the concept of heroism in the contemporary media landscape, particularly focusing on the influence of films and video games. This summary highlights the key themes explored in the book and discusses notable examples from popular culture, such as \"The Lord of the Rings\" film series and the \"Metal Gear Solid\" video game franchise. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eIn this engaging work, the author challenges traditional notions of heroism and examines how modern media platforms have reshaped our understanding of heroic figures. The book argues that films and video games offer a fertile ground for reimagining heroism, presenting a more nuanced and complex portrayal of hero characters. \u003cp\u003e\u003c\/p\u003eDrawing upon the epic fantasy world of \"The Lord of the Rings\" films, the book analyzes the character of Frodo Baggins, who exemplifies a different kind of hero. Rather than relying solely on physical strength and bravery, Frodo embodies moral courage, resilience, and the ability to withstand immense challenges. By exploring Frodo's journey and the conflicts he faces, the author emphasizes the importance of internal struggles, personal growth, and sacrifice as essential components of heroism. \u003cp\u003e\u003c\/p\u003eSimilarly, the book examines the acclaimed video game series \"Metal Gear Solid,\" known for its intricate narratives and multifaceted characters. The protagonist, Solid Snake, represents a departure from traditional hero archetypes. He is burdened with moral ambiguity and confronted with complex choices that blur the line between right and wrong. The book explores how video games, as an interactive medium, allow players to experience the complexities of heroism firsthand, as they navigate moral dilemmas and grapple with the consequences of their actions. \u003cp\u003e\u003c\/p\u003eThroughout \"A Modern Hero,\" the author challenges readers to reconsider their preconceived notions of heroism and to recognize the evolving nature of the concept in contemporary media. By analyzing films like \"The Lord of the Rings\" and video games like \"Metal Gear Solid,\" the book demonstrates how these narratives prompt us to explore deeper layers of heroism beyond traditional tropes, inviting us to reflect on the complexities of morality, personal growth, and the power of human resilience. \u003cp\u003e\u003c\/p\u003e\"A Modern Hero: Rethinking the Role of Heroism through Films and Video Games\" provides an insightful exploration of how films and video games have redefined our understanding of heroism. By analyzing examples from popular culture, such as \"The Lord of the Rings\" films and the \"Metal Gear Solid\" games, the book encourages readers to contemplate the multifaceted nature of hero characters and to embrace a more nuanced and inclusive perspective on heroism in the modern age.\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 142\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.3 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e August 03, 2022\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481635901626,"sku":"9798843854874","price":9.38,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/KVmtrqm_zY9798843854874.webp?v=1787695627"},{"product_id":"war-and-peace-in-studio-ghibli-films-paperback","title":"''War and Peace'' in Studio Ghibli Films - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eAkimoto Daisuke\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eThis book examines Japanese animation films of Studio Ghibli in terms of war and peace. This research mainly focuses on movies directed by Hayao Miyazaki, a 'Japanese master of animation', who announced his official retirement in September 2013. Through the lens of peace research, the author rediscovered the fact that Miyazaki-related animation films deal with actual wars from the First World War to the 2003 Iraq War. This book investigates the following Studio Ghibli animation movies: 1) Nausica of the Valley of the Wind (1984), 2) Laputa Castle in the Sky (1986), 3) Grave of the Fireflies (1988), 4) Porco Rosso (1992), 5) Howl's Moving Castle (2004), and 6) The Wind Rises (2013). From a perspective of peace research and international relations, this study analyzes the relevance of the films to the First World War, the Second World War, the Cold War, the War on Terror, as well as some nuclear related issues in the post-3\/11 context. Moreover, this book explores the implications of the case studies for peace education so that Studio Ghibli films can be watched as sources for creating the 'defences of peace' inside the hearts of audience around the world.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 144\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.34 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e October 17, 2014\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481635967162,"sku":"9783659618321","price":57.38,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/cZPeAX5hmQ9783659618321.webp?v=1787695628"},{"product_id":"abraham-lincoln-and-women-in-film-one-hundred-years-of-hollywood-mythmaking-hardcover","title":"Abraham Lincoln and Women in Film: One Hundred Years of Hollywood Mythmaking - Hardcover","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eFrank J. Wetta\u003c\/b\u003e (Author), \u003cb\u003eMartin A. Novelli\u003c\/b\u003e (Author), \u003cb\u003eT. Michael Parrish\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eFrank J. Wetta and Martin A. Novelli's \u003ci\u003eAbraham Lincoln and Women in Film\u003c\/i\u003e investigates how depictions of women in Hollywood motion pictures helped forge the myth of Lincoln. Exploring female characters' backstories, the political and cultural climate in which the films appeared, and the contest between the moviemakers' imaginations and the varieties of historical truth, Wetta and Novelli place the women in Lincoln's life at the center of the study, including his mother, Nancy Hanks Lincoln; his stepmother, Sarah Bush Lincoln; his lost loves, Ann Rutledge and Mary Owens; and his wife and widow, Mary Todd Lincoln. Later, while inspecting Lincoln's legacy, they focus on the 1930s child actor Shirley Temple and the 1950s movie star Marilyn Monroe, who had a well-publicized fascination with the sixteenth president. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eWetta and Novelli's work is the first to deal extensively with the women in Lincoln's life, both those who interacted with him personally and those appearing on screen. It is also among the first works to examine how scholarly and popular biography influenced depictions of Lincoln, especially in film.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eFrank J. Wetta\u003c\/b\u003e is former vice president of academic affairs at Ocean County College in New Jersey and former lecturer and senior fellow in the Department of History at Kean University. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cb\u003eMartin A. Novelli\u003c\/b\u003e is the former dean of humanities, fine arts, and media studies at Ocean County College in New Jersey. \u003cp\u003e\u003c\/p\u003eWetta and Novelli are coauthors of \u003ci\u003eThe Long Reconstruction: The Post-Civil War South in History, Film, and Memory\u003c\/i\u003e and \u003ci\u003eLast Stands from the Alamo to Benghazi: How Hollywood Turns Military Defeats into Moral Victories\u003c\/i\u003e.\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 252\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.69 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e February 28, 2024\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481638752442,"sku":"9780807169728","price":72.9,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/7IYJWoNaRt9780807169728.webp?v=1787695839"},{"product_id":"a-visual-history-of-hiv-aids-exploring-the-face-of-aids-film-archive-paperback","title":"A Visual History of HIV\/AIDS: Exploring the Face of AIDS Film Archive - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eElisabet Björklund\u003c\/b\u003e (Editor), \u003cb\u003eMariah Larsson\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThe Face of AIDS film archive at Karolinska Institutet, Sweden, consists of more than 700 hours of unedited and edited footage, shot over a period of more than thirty years and all over the world by filmmaker and journalist Staffan Hildebrand. The material documents the HIV\/AIDS pandemic and includes scenes from conferences and rallies, and interviews with activists, physicians, people with the infection, and researchers. It represents a global historical development from the early years of the AIDS crisis to a situation in which it is possible to live a normal life with the HIV virus. This volume brings together a range of academic perspectives - from media and film studies, medical history, gender studies, history, and cultural studies - to bear on the archive, shedding light on memories, discourses, trauma, and activism. \u003c\/p\u003e\u003cp\u003eUsing a medical humanities framework, the editors explore the influence of historical representations of HIV\/AIDS and stigma in a world where antiretroviral treatment has fundamentally altered the conditions under which many people diagnosed with HIV live. Organized into four sections, this book begins by introducing the archive and its role, setting it in a global context. The first part looks at methodological, legal and ethical issues around archiving memories of the present which are then used to construct histories of the past; something that can be particularly controversial when dealing with a socially stigmatized epidemic such as HIV\/AIDS. The second section is devoted to analyses of particular films from the archive, looking at the portrayal of people living with HIV\/AIDS, the narrative of HIV as a chronic illness and the contemporary context of particular films. The third section looks at how stigma and trauma are negotiated in the material in the Face of AIDS film archive, discussing ideas about suffering and culpability. The final section contributes perspectives on and by the filmmaker as activist and auteur. \u003c\/p\u003e\u003cp\u003eThis interdisciplinary collection is placed at the intersection of medical humanities, sexuality studies and film and media studies, continuing a tradition of studies on the cultural and social understandings of HIV\/AIDS.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eElisabet Björklund\u003c\/strong\u003e is a postdoctoral researcher at the Department of History of Science and Ideas at Uppsala University and Senior Lecturer in Film Studies at Linnaeus University, Sweden.\u003c\/p\u003e\u003cp\u003eMariah Larsson is a Professor in Film Studies at Linnaeus University, Sweden.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 234\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.6 x 9.1 x 6.1 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e December 09, 2019\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481638817978,"sku":"9780367457495","price":97.18,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/pa3iVSG-j69780367457495.webp?v=1787695839"},{"product_id":"abjection-and-representation-an-exploration-of-abjection-in-the-visual-arts-film-and-literature-hardcover","title":"Abjection and Representation: An Exploration of Abjection in the Visual Arts, Film and Literature - Hardcover","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eR. Arya\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eAbjection and Representation is a theoretical investigation of the concept of abjection as expounded by Julia Kristeva in Powers of Horror (1982) and its application in various fields including the visual arts, film and literature. It examines the complexity of the concept and its significance as a cultural category.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eRina Arya is Reader at the University of Wolverhampton, UK. Her areas of expertise include art theory and post-war art, and she has written extensively on Francis Bacon and Georges Bataille. Previously published works include \u003cem\u003eFrancis Bacon: Painting in a Godless World\u003c\/em\u003e (2012), which was long-listed for the William M. B. Berger Prize for British Art History, \u003cem\u003eContemplations of the Spiritual in Art \u003c\/em\u003e(2013) and \u003cem\u003eAbject Visions: Powers of Horror in Art and Visual Culture\u003c\/em\u003e (co-edited with Nicholas Chare; 2015).\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 231\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.8 x 8.5 x 5.5 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e September 24, 2014\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481638916282,"sku":"9780230389335","price":97.18,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/scikkd3Kma9780230389335.webp?v=1787695839"},{"product_id":"adapting-gender-mexican-feminisms-from-literature-to-film-paperback","title":"Adapting Gender: Mexican Feminisms from Literature to Film - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eIlana Dann Luna\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eDemonstrates how film adaptations intersect with feminist discourse in neoliberal Mexico.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eAdapting Gender\u003c\/i\u003e offers a cogent introduction to Mexico's film industry, the history of women's filmmaking in Mexico, a new approach to adaptation as a potential feminist strategy, and a cultural history of generational changes in Mexico. Ilana Dann Luna examines how adapted films have the potential to subvert not only the intentions of the source text, but how they can also interrupt the hegemony of gender stereotypes in a broader socio-political context. Luna follows the industrial shifts that began with Salinas de Gortari's presidency, which made the long 1990s the precise moment in which subversive filmmakers, particularly women, were able to participate more fully in the industry and portrayed the lived experiences of women and non-gender-conforming men. The analysis focuses on Busi Cortés's \u003ci\u003eEl secreto de Romelia\u003c\/i\u003e (1988), an adaptation of Rosario Castellanos's short novel \u003ci\u003eEl viudo Román\u003c\/i\u003e (1964); Sabina Berman and Isabelle Tardán's \u003ci\u003eEntre Pancho Villa y una mujer desnuda\u003c\/i\u003e (1996), an adaptation of Berman's own play, \u003ci\u003eEntre Villa y una mujer desnuda\u003c\/i\u003e (1992); Guita Schyfter's \u003ci\u003eNovia que te vea\u003c\/i\u003e (1993), an adaptation of Rosa Nissán's eponymous novel (1992); and Jaime Humberto Hermosillo's \u003ci\u003eDe noche vienes, Esmeralda\u003c\/i\u003e (1997), an adaptation of Elena Poniatowska's short story \"De noche vienes\" (1979). These adapted texts established a significant alternative to monolithic notions of national (gendered) identity, while critiquing, updating, and even queering, notions of feminism in the Mexican context.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eIlana Dann Luna \u003c\/b\u003eis Assistant Professor of Spanish and Latin American Studies at Arizona State University.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 312\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.9 x 8.9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e January 02, 2019\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481645273274,"sku":"9781438468266","price":66.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/g-GS9NOiI9781438468266.webp?v=1787695958"},{"product_id":"action-scenarios-the-essential-guide-to-action-in-film-paperback","title":"Action Scenarios: The Essential Guide to Action in Film - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eTico Romao\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eAction Scenarios: The Essential Guide to Action in Film\u003c\/em\u003e examines all of the ways in which action is manifested in cinema, or what author Tico Romao calls the \"action scenarios\" of film. Loaded with detail, nuance, rare insight, and historical analysis, \u003cem\u003eAction Scenarios\u003c\/em\u003e explores how and why filmmakers use these action scenarios as a function of character development, story narrative, and much more.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 360\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.75 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e September 05, 2023\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481645732026,"sku":"9781644040041","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/n1lEnFVHxi9781644040041.webp?v=1787695964"},{"product_id":"african-energy-worlds-in-film-and-media-paperback","title":"African Energy Worlds in Film and Media - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eCarmela Garritano\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eCan you imagine a post-petroleum world? \u003ci\u003eAfrican Energy Worlds in Film and Media\u003c\/i\u003e joins energy humanists committed to undoing our deep dependence on fossil fuels and advancing equitable energy transitions by advancing this vision with a spotlight on African perspectives.\u003cbr\u003e\u003cbr\u003eAfrican cinema is a rich and varied medium for investigating the entanglements and social embeddedness of energy with global modernity and for imagining a world that leaves fossil fuels behind for unrealized green energy futures.\u003ci\u003e African Energy Worlds in Film and Media\u003c\/i\u003e shows us how African cinema makes sensible the energetic aspects of life in the ecological mesh that is planet Earth and grounds us in the everyday of the postcolonial, bringing attention to the enduring legacies of racism and colonialism that unevenly distribute energy-related violence and risk and amplifying Africans' demands for access to the energy networks that undergird modernity. With a focus on feature, documentary, and arthouse films, including canonical films by Ousmane Sembène and Djbril Diop Mambety and new work by emergent directors Nelson Makengo and Djo Tunda Wa Munga, author Carmela Garritano examines how these stories depict an array of energy sources from mineral extraction to wind and the by-products of these energy processes, like plastic and electronic waste.\u003cbr\u003e\u003cbr\u003eSituated at the intersection of film studies, African studies, and energy humanities, \u003ci\u003eAfrican Energy Worlds in Film and Media\u003c\/i\u003e analyzes the political, social, and economic dimensions of global energy forms and systems as represented in African cinema.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eCarmela Garritano is Associate Professor in the Department of International Affairs and affiliated faculty in the Africana Studies program at Texas A\u0026amp;M University. She is author of African Video Movies and Global Desires: A Ghanaian History.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 210\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.7 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e March 03, 2025\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481645666490,"sku":"9780253072283","price":45.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/4RBws6HQxz9780253072283.webp?v=1787695964"},{"product_id":"aesthetic-evaluation-and-film-paperback","title":"Aesthetic Evaluation and Film - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eAndrew Klevan\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eThis book provides an in-depth, holistic examination of evaluative aesthetics and criticism as they apply to film. Organised around the explanation of key concepts, it illuminates connections between the work of philosophers, theorists and critics, and demonstrates the evaluation of form through the close analysis of film sequences. The book advocates that aesthetic evaluation should be flexibly informed by a cluster of concerns including medium, convention, prominence, pattern and relation; and rather than privileging a particular theory or film style, it models a type of approach, attention, process and discourse. Suitable for students of film studies and philosophical aesthetics at both undergraduate and postgraduate levels, Aesthetic evaluation and film also provides a framework for academics researching or teaching in the area. At the same time, the crisp and lucid style will make the book accessible to a wider readership.\u003c\/p\u003e\u003ch3\u003eFront Jacket\u003c\/h3\u003e\u003cp\u003e\u003ci\u003eAesthetic evaluation and film\u003c\/i\u003e provides an in-depth, holistic examination of evaluative aesthetics and criticism as they apply to film. Organised around the explanation of key concepts, it illuminates connections between the work of philosophers, theorists, and critics, and demonstrates the evaluation of form through a close analysis of film sequences. The book advocates that aesthetic evaluation should be flexibly informed by a cluster of concerns including medium, convention, prominence, pattern, and relation; and rather than privileging a particular theory or film style, it models a type of approach, attention, process, and discourse. This is particularly effective for evaluating films from different places, periods, and genres, ensuring that the book will be a central text in the field for years to come. Suitable for students of film studies and philosophical aesthetics at both undergraduate and postgraduate levels, \u003ci\u003eAesthetic evaluation and film\u003c\/i\u003e provides a framework for academics researching or teaching in the area. At the same time, the crisp and lucid style will make the book accessible to a wider readership.\u003c\/p\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eAesthetic evaluation and film provides an in-depth, holistic examination of evaluative aesthetics and criticism as they apply to film. Organised around the explanation of key concepts, it illuminates connections between the work of philosophers, theorists, and critics, and demonstrates the evaluation of form through a close analysis of film sequences. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eThe book advocates that aesthetic evaluation should be flexibly informed by a cluster of concerns including medium, convention, prominence, pattern, and relation; and rather than privileging a particular theory or film style, it models a type of approach, attention, process, and discourse. This is particularly effective for evaluating films from different places, periods, and genres, ensuring that the book will be a central text in the field for years to come. \u003cp\u003e\u003c\/p\u003eSuitable for students of film studies and philosophical aesthetics at both undergraduate and postgraduate levels, Aesthetic evaluation and film provides a framework for academics researching or teaching in the area. At the same time, the crisp and lucid style will make the book accessible to a wider readership.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eAndrew Klevan is Associate Professor of Film Studies at the University of Oxford. He is the author of Barbara Stanwyck (2013), Film Performance: From Achievement to Appreciation (2005) and Disclosure of the Everyday: Undramatic Achievement in Narrative Film (2000).\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 256\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.8 x 8.4 x 5.4 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e August 09, 2018\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481645895866,"sku":"9781784991258","price":51.21,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/mmsvsSP82t9781784991258.webp?v=1787695964"},{"product_id":"ambiguous-cinema-from-simone-de-beauvoir-to-feminist-film-phenomenology-paperback","title":"Ambiguous Cinema: From Simone de Beauvoir to Feminist Film-Phenomenology - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eKelli Fuery\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eSimone de Beauvoir's notion of ambiguity became a cornerstone of her philosophy and influenced a radical rethinking of freedom well into the twenty-first century. In Ambiguous Cinema, Fuery examines Beauvoir's notion of ambiguity in relation to film experience, exploring both the legacies and limits of her existentialist ethics through a range of films by independent women filmmakers, including Joanna Hogg, Liliana Cavani, Debra Granik, Cheryl Dunye, Claire Denis, Lucrecia Martel, Lynne Ramsay and Céline Sciamma. \u003cbr\u003eIn doing so, Fuery deftly demonstrates the currency and relevancy of Beauvoir's ideas to contemporary debates in film-philosophy and feminist thought by examining how these women filmmakers navigate turbulent themes such as moral choice, power, adolescence, love, trauma and motherhood. Reimagining Beauvoir's idea of ambiguity within the context of film studies, Fuery asks that we confront and embrace difficult emotional situations so that we might realise an authentic, if indeterminate, freedom through our cinematic experiences.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eKelli Fuery is Professor of Creative and Cultural Industries in Wilkinson College of Arts, Humanities and Social Sciences at Chapman University, California. She is the author of five books, including Ambiguous Cinema: From Simone de Beauvoir to Feminist Film-Phenomenology and Wilfred Bion, Thinking and Emotional Experience with Moving Images. Her next project examines Bion's notion of the bizarre object and interconnected themes of hallucination, phenomenology and virtuality.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 272\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.57 x 9.21 x 6.14 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e February 12, 2024\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481656381626,"sku":"9781399504249","price":58.05,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/IsCzKS71zw9781399504249.webp?v=1787696246"},{"product_id":"andr-bazins-film-theory-p-paperback","title":"Andr Bazin's Film Theory P - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eDalle Vacche\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eThrough metaphors and allusions to art, science, and religion, André Bazin's writings on the cinema explore a simple yet profound question: what is a human? For the famous French film critic, a human is simultaneously a rational animal and an irrational being. Bazin's idea of the cinema is a mind-machine where the ethical implications have priority over aesthetic issues. And in its ability to function as an art form for the masses, cinema is the only medium that can address an audience at the individual and community levels simultaneously-- the audience sees the same film, but each individual relates to the narrative in a different way. In principle, cinema can unsettle our routines in productive ways and expand our sense of belonging to a much larger picture. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eBy arguing that this dissident Catholic's worldview is anti-anthropocentric, Angela Dalle Vacche concludes that André Bazin's idea of the cinema recapitulates the histories of biological evolution and modern technology inside our consciousness. Through the projection of recorded traces of the world onto a brain-like screen, the cinema can open viewers up to self-interrogation and empathy towards Otherness. Bazin was neither a spiritualist nor an animist or a pantheist, yet his film theory leads also to ideas of a more cosmological persuasion: through editing and camera movement, cinema explores our belonging to a vast universe that extends from the microbes of the microscope to the stars of the telescope. Such ideas of connectedness, coupled with Bazin's well-known emphasis of realism, form the foundation for his film theory's embrace of Italian neorealism. Choosing to avoid a quantitative naturalism based on accumulation of details, Bazin's theory instead promotes the kind of cinema that celebrates perceptual displacement, the objectification of human behavior, and one's own critical self-awareness.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eAngela Dalle Vacche\u003c\/strong\u003e is Professor of Cinema Studies at the Georgia Institute of Technology in Atlanta. She has written extensively on the representation of history in film; on Italian women and early cinema; on intermediality and color. She is the author or editor of such works as \u003cem\u003eFilm, Art, New Media: Museum without Walls?\u003c\/em\u003e (2012) and \u003cem\u003eDiva: Defiance and Passion in Early Cinema\u003c\/em\u003e (2008), and is currently developing a book on African cinema.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 240\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.7 x 9.2 x 6.1 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e January 03, 2020\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481656873146,"sku":"9780190067304","price":83.77,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/On39gZSgia9780190067304.webp?v=1787696247"},{"product_id":"anatomy-of-film-6e-paperback","title":"Anatomy of Film, 6e - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eBernard Dick\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eAnatomy of Film \u003c\/i\u003eprovides a solid foundation of film fundamentals while offering rich examples from the past and present. Designed to be used in film-as-literature or introduction to film courses in English, film, or communication departments, \u003ci\u003eAnatomy of Film \u003c\/i\u003ecovers all of the essential elements of film -- from genre, lighting, and editing to music, sound, and narration -- and its student-friendly approach makes it ideal for those new to the discipline. Along with a strong focus on genre, this text also features a chapter devoted to the connection between film and literature. Ultimately, this comprehensive text demonstrates a genuine enthusiasm for the medium while exploring both the humanistic and analytical aspects of film criticism.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eBernard F. Dick\u003c\/b\u003e is Professor of Communication and English in the School of Art and Media Studies at Farleigh Dickinson University's Teaneck, New Jersey campus. He is the author of a number of books on film including \u003ci\u003eThe Star-Spangled Screen: The American World War II Film\u003c\/i\u003e, \u003ci\u003eEngulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood\u003c\/i\u003e, and most recently, \u003ci\u003eHal Wallis, Producer to the Stars\u003c\/i\u003e.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 450\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 1.1 x 8.9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e March 01, 2009\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481656807610,"sku":"9780312487119","price":179.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/PPLeg1EAF19780312487119.webp?v=1787696247"},{"product_id":"american-history-through-hollywood-film-from-the-revolution-to-the-1960s-paperback","title":"American History Through Hollywood Film: From the Revolution to the 1960s - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eMelvyn Stokes\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eAmerican History through Hollywood Film\u003c\/i\u003e offers a new perspective on major issues in American history from the 1770s to the end of the twentieth century and explores how they have been represented in film. Melvyn Stokes examines how and why representation has changed over time, looking at the origins, underlying assumptions, production, and reception of an important cross-section of historical films. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eChapters deal with key events in American history including the American Revolution, the Civil War and its legacy, the Great Depression, and the anti-communism of the Cold War era. Major themes such as ethnicity, slavery, Native Americans and Jewish immigrants are covered and a final chapter looks at the way the 1960s and 70s have been dealt with by Hollywood. This book is essential reading for anyone studying American history and the relationship between history and film.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eMelvyn Stokes is Reader in Film History in the Department of History at University College London, UK.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 312\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.8 x 9.1 x 6.1 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e January 30, 2014\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481656840378,"sku":"9781441175922","price":80.91,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/nCWOacsto39781441175922.webp?v=1787696247"},{"product_id":"american-womens-history-on-film-hardcover","title":"American Women's History on Film - Hardcover","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eRosanne Welch\u003c\/b\u003e (Author), \u003cb\u003ePeg A. Lamphier\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\"A welcome addition to women's- and film-history collections.\" - \u003ci\u003eBooklist\u003c\/i\u003e\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eBy exploring a range of films about American women, this book offers readers an opportunity to engage in both history and film in a new way, embracing representation, diversity, and historical context. Throughout film history, stories of women achieving in American history appear few and far between compared to the many epic tales of male achievement. This book focuses largely on films written by women and about women who tackled the humanist issues of their day and mostly won. \u003cp\u003e\u003c\/p\u003eFilms about women are important for all viewers of all genders because they remind us that the American experience is not just male and white. This book examines 10 films, featuring diverse depictions of women and women's history, and encourages readers to discern how and where these films deviate from historical accuracy. Covering films from the 1950s all the way to the 2010s, this text is invaluable for students and general readers who wish to interrogate the way women's history appears on the big screen.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eRosanne Welch\u003c\/b\u003e, PhD, serves as executive director of Stephens College MFA, USA, in TV and screenwriting, where she created a set of history of screenwriting courses and teaches courses in one-hour drama. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cb\u003ePeg A. Lamphier\u003c\/b\u003e, PhD, teaches interdisciplinary humanities at California State Polytechnic University, USA, and American women's history at Mount San Antonio College, USA.\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 200\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.69 x 9.33 x 6.35 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e November 07, 2022\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481656905914,"sku":"9781440866609","price":135.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/kxHNQTK26Y9781440866609.webp?v=1787696247"},{"product_id":"age-of-anxiety-meaning-identity-and-politics-in-21st-century-film-and-literature-paperback","title":"Age of Anxiety: Meaning, Identity, and Politics in 21st-Century Film and Literature - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eAnthony M. Wachs\u003c\/b\u003e (Author), \u003cb\u003eLee Trepanier\u003c\/b\u003e (Editor), \u003cb\u003eJon D. Schaff\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eAge of Anxiety: Meaning, Identity, and Politics in 21st Century Film and Literature \u003c\/i\u003eanalyzes literature and films that speak to our age of anxiety resulting from the decline of narratives that provided individuals with a meaningful human life. The authors argue that the twentieth-century sought to free individuals from the constraints of authoritative cultural traditions and institutions, liberating the autonomous self. Yet this has given rise to anxiety rather than liberation. Instead of deriving one's sense of purpose from one's role and place within a community, the consumer has been deceived into thinking that their identity can be purchased through the meaning represented by the conspicuous consumption of a brand. The same phenomenon manifests itself in politics within recent populist revolts against globalist politics. In addition, the rapid pace of technological development is driving an unprecedented faith in the malleability of human beings, raises doubts as to what it means to be a person. Utilizing paradigms from the fields of Communication\/Rhetoric and Political Philosophy the book shows how the self has been displaced from its natural habitat of the local community. The book traces the origins of modern anxiety as well as possible remedies. Considered in the book are such popular culture artifacts as Downton Abbey, WALL-E, Hacksaw Ridge, Westworld, and Lord of the Rings and zombie films.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eAnthony M. Wachs\u003c\/b\u003e is assistant professor of rhetoric, communication ethics \u0026amp; the Catholic intellectual tradition at Duquesne University. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cbr\u003e\u003cb\u003eJon D. Schaff \u003c\/b\u003eis professor of political science at Northern State University.\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 268\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.61 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e June 23, 2021\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481656938682,"sku":"9781498575201","price":84.51,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/62LbhwZ7VW9781498575201.webp?v=1787696247"},{"product_id":"analysis-of-film-paperback","title":"Analysis of Film - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eRaymond Bellour\u003c\/b\u003e (Author), \u003cb\u003eConstance Penley\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\"No serious student of film should miss the great work collected in this volume.\"--W. A. Vincent, Choice\u003cbr\u003e\u003cbr\u003e\"When so much writing about film is based on overall impressions or shadowy memories, on notes scribbled in the dark or published shot breakdowns that are often overgeneralized or even inaccurate, it is refreshing to be confronted with such scholarly work, characterized by a genuinely attentive eye and a punctilious observation of detail. This long-awaited collection, gathering Bellour's ground breaking studies into one volume, will surely be a crucial source of inspiration for future generations of film scholars.\" --Peter Wollen, Bookforum\u003cbr\u003e\u003cbr\u003e\u003ci\u003eThe Analysis of Film\u003c\/i\u003e brings together Raymonds Bellour's now classic studies of classic Hollywood film. It is at once a book about the methods of close film analysis, the narrative structure of Hollywood film, Hitchcock's work--\u003ci\u003eThe Birds\u003c\/i\u003e, \u003ci\u003eMarnie\u003c\/i\u003e, \u003ci\u003ePsycho\u003c\/i\u003e, \u003ci\u003eNorth by Northwest\u003c\/i\u003e--and the role of the woman in western representation. But, finally, it is a book about cinema itself and the love for cinema that drives the passion for analyzing the supreme art form of the twentieth century.\u003cbr\u003e\u003cbr\u003eBellour creatively reworks the ideas and methods of structuralism, semiology, and psychoanalysis to unravel the knot of significations that is the filmic text. The introductory chapter sketches out a history of the way the close analysis of film developed. And then, beginning with a study of the Bodega Bay sequence of \u003ci\u003eThe Birds\u003c\/i\u003e, the book goes on to examine every aspect of that singular critical practice, \"the analysis of film.\"\u003cbr\u003e\u003cbr\u003eThe book is also a model of how to write about the intricacies of film narrative, shot by shot, sequence by sequence, while addressing larger contextual issues of subjectivity, desire, and identification in Western cultural forms. A new, final chapter on D. W. Griffith's \u003ci\u003eThe Lonedale Operator\u003c\/i\u003e brilliantly demonstrates that the dynamics of repetition and alternation that Bellour discovered to be the heartbeat of Hollywood narrative film were already there in nascent form at the beginnings of cinema.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eRaymond Bellour is Director of Research at the Centre National de la Recherche Scientifique. He is a scholar and writer whose work has been devoted to both literature--especially the Brontës, Dumas, and Michaux--and film--most notably L'Analyse du film, first published in 1979, and several related collections including Le Cinéma Américain and Le Western. Since the early eighties his work has concentrated on mixed media and the relation between words and images. This new focus has resulted in an exhibition, Passages de l'image (1989); a book, L'Entre-Images (1990); and a MOMA catalog, Jean-Luc Godard: Sonimage (1992). In 1991, with Serge Daney, he started the film journal Trafic. Constance Penley is Professor and Chair of Film Studies at the University of California, Santa Barbara. A founding editor of the leading feminist media journal, Camera Obscura, she also edited the influential collection Feminism and Film Theory. Penley has written widely in the fields of film studies, cultural studies, and science studies. Her most recent books are NASA\/TREK: Popular Science and Sex in America and The Invisible Woman: Imaging Technologies, Gender, and Science, edited with Paula Treichler and Lisa Cartwright.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 328\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.6 x 9.28 x 6.12 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e October 03, 2001\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481657036986,"sku":"9780253213648","price":43.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/ScR_3AZ2nc9780253213648.webp?v=1787696248"},{"product_id":"air-travel-fiction-and-film-cloud-people-hardcover","title":"Air Travel Fiction and Film: Cloud People - Hardcover","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eErica Durante\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eAir Travel Fiction and Film: Cloud People\u003c\/i\u003e explores how, over the past four decades, fiction and film have transformed our perceptions and representations of contemporary air travel. Adopting an interdisciplinary approach, the book provides a comprehensive analysis of a wide range of international cultural productions, and elucidates the paradigms and narratives that constitute our current imaginary of air mobility. Erica Durante advances the hypothesis that fiction and film have converted the Airworld--the world of airplanes and airport infrastructures--into a pivotal anthropological place that is endowed with social significance and identity, suggesting that the assimilation of the sky into our cultural imaginary and lifestyle has metamorphosed human society into \"Cloud People.\" In its examination of the representations of air travel as an epicenter of today's world, the book not only illustrates a novel perspective on contemporary fiction, but fills an important gap in the study of globalization within literary and film studies. \u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eAir Travel Fiction and Film: Cloud People\u003c\/i\u003e explores how, over the past four decades, fiction and film have transformed our perceptions and representations of contemporary air travel. Adopting an interdisciplinary approach, the book provides a comprehensive analysis of a wide range of international cultural productions, and elucidates the paradigms and narratives that constitute our current imaginary of air mobility. Erica Durante advances the hypothesis that fiction and film have converted the Airworld--the world of airplanes and airport infrastructures--into a pivotal anthropological place that is endowed with social significance and identity, suggesting that the assimilation of the sky into our cultural imaginary and lifestyle has metamorphosed human society into \"Cloud People.\" In its examination of the representations of air travel as an epicenter of today's world, the book not only illustrates a novel perspective on contemporary fiction, but fills an important gap inthe study of globalization within literary and film studies. \u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eErica Durante\u003c\/b\u003e is Visiting Associate Professor of Latin American and Caribbean Studies at Brown University, USA. She is the author of two books, several edited books, and numerous articles in the fields of Comparative Literature and Global Studies.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 204\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.56 x 8.27 x 5.83 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e August 04, 2020\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481657135290,"sku":"9783030526504","price":89.08,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/3lA05pf-hB9783030526504.webp?v=1787696249"},{"product_id":"agents-of-liberations-holocaust-memory-in-contemporary-art-and-documentary-film-paperback","title":"Agents of Liberations: Holocaust Memory in Contemporary Art and Documentary Film - Paperback","description":"\u003cp\u003eby \u003cb\u003eZoltán Kékesi\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eThe book explores representations of the Holocaust in contemporary art practices. Through carefully selected art projects, the author illuminates the specific historical, cultural, and political circumstances that influence the way we speak-or do not speak-about the Holocaust. The book's international focus brings into view film projects made by key artists reflecting critically upon forms of Holocaust memory in a variety of geographical contexts. K?kesi connects the ethical implications of the memory of the Holocaust with a critical analysis of contemporary societies, focusing upon artists who are deeply engaged in doing both of the above within three regions: Eastern Europe (especially Poland), Germany, and Israel. The case studies apply current methods of contemporary art theory, unfolding their implications in terms of memory politics and social critique.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eZolt?n K?kesi is associate professor at the Department of Art Theory and Curatorial Studies at the Hungarian University of Fine Arts, Budapest.\u003c\/p\u003e\u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 228\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.7 x 8.9 x 5.9 IN\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e September 30, 2015\u003c\/div\u003e","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481657168058,"sku":"9789633860960","price":107.64,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/567890171d59633f3c43040e1a27218d.webp?v=1787696249"},{"product_id":"america-noir-underground-writers-and-filmmakers-of-the-postwar-era-paperback","title":"America Noir: Underground Writers and Filmmakers of the Postwar Era - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eDavid Cochran\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eAmerica Noir\u003c\/i\u003e David Cochran details how ten writers and filmmakers challenged the social pieties prevalent during the Cold War, such as the superiority of the American democracy, the benevolence of free enterprise, and the sanctity of the suburban family. Rod Serling's \u003ci\u003eThe Twilight Zone\u003c\/i\u003e featured victims of vast, faceless, bureaucratic powers. Jim Thompson's noir thrillers, such as \u003ci\u003eThe Grifters\u003c\/i\u003e, portrayed the ravages of capitalism on those at the bottom of the social ladder. Patricia Highsmith, in \u003ci\u003eThe Talented Mr. Ripley\u003c\/i\u003e, placed an amoral con man in an international setting, implicitly questioning America's fitness as leader of the free world. Charles Willeford's pulp novels, such as \u003ci\u003eWild Wives\u003c\/i\u003e and \u003ci\u003eWoman Chaser\u003c\/i\u003e, depicted the family as a hotbed of violence and chaos. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eThese artists pioneered a detached, ironic sensibility that radically juxtaposed cultural references and blurred the distinctions between \"high\" and \"low\" art. Their refusal to surrender to the pressures for political conformity and their unflinching portrayal of the underside of American life paved the way for the emergence of a 1960s counterculture that forever changed the way America views itself.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eDavid Cochran\u003c\/b\u003e earned his PhD in American history from the University of Missouri-Columbia. He currently teaches at John A. Logan College and lives with his wife, three children, and four cats in Herrin, Illinois.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 280\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.69 x 8.7 x 5.76 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e June 22, 2010\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481657200826,"sku":"9781588342188","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/oDrdSkW099781588342188.webp?v=1787696250"},{"product_id":"analyzing-film-a-student-casebook-hardcover","title":"Analyzing Film: A Student Casebook - Hardcover","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eJames R. Russo\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eAnalyzing Film: A Student Casebook is a film textbook containing fifteen essays about sixteen historically and artistically significant films made between 1920 and 1990. This casebook is geographically diverse, with sixteen countries represented: Germany, Russia, Spain, France, the United States, Denmark, Japan, India, England, Italy, Sweden, Czechoslovakia, Cuba, Hungary, Australia, and China. The essays in Analyzing Film are clear and readable-sophisticated and weighty, yet not overly technical or jargon-heavy. The book's critical apparatus features credits, images, and bibliographies for all films discussed, filmographies for all the directors, a chronology of film theory and criticism, a glossary of film terms, a guide to film analysis, and a list of topics for writing and discussion, together with a comprehensive index.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eJames R. Russo is an independent researcher who holds graduate degrees from Louisiana State University and the University of Richmond. He has taught at those institutions and at Tulane University. Russo's primary scholarly interests are cinema and comparative literature. He has edited Film Nation: William Troy on the Cinema, 1933-1935, The Bookman: William Troy on Literature and Criticism, 1927-1950, and Drama According to Alexander Bakshy, 1916-1946.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 372\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.88 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e January 24, 2022\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481657364666,"sku":"9781680532784","price":85.41,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/dKIjd8xbXp9781680532784.webp?v=1787696252"},{"product_id":"american-politics-in-hollywood-film-paperback","title":"American Politics in Hollywood Film - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eIan Scott\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eHow is the American political landscape represented in cinema? What is the relationship between Hollywood and Washington? From Arnold Schwarzenegger's rise to the Governorship of California through to the drama of the celebrity-fuelled 2008 Presidential election, Hollywood and politics have never been more intimate.This thoroughly updated and revised new edition continues to analyse the theoretical and conceptual relationship of Hollywood to national politics and the way film content and criticism has aligned itself to political culture and debate.Chronicling the evolution of American political cinema from the 1930s, this book explores the genre's symbiotic relationship with the American political culture and history. Through textual analysis of a range of films and television series, Scott provides a critique of current and past developments across several sub-genres, including the bio-pic, the election film and documentary.New for this edition* Analysis of the post-9\/11 and Bush era's effect on the American politics and cinema* In-depth discussion of political documentaries, such as Fahrenheit 9\/11 and The Fog of War, as well as films from the 2000s, such as Man of the Year and State of Play* Expanded coverage of television series from The West Wing, through to 24 and John Adams\u003c\/p\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003eAUTHOR APPROVED 'This exceptionally interesting study adds significantly to the existing body of work in both the fields of film studies and politics.' \/\/American Studies Today\/\/ How is the American political landscape represented in cinema? What is the relationship between Hollywood and Washington? From Arnold Schwarzenegger's rise to the Governorship of California through to the drama of the celebrity-fuelled 2008 Presidential election, Hollywood and politics have never been more intimate. This thoroughly updated and revised new edition continues to analyse the theoretical and conceptual relationship of Hollywood to national politics and the way film content and criticism has aligned itself to political culture and debate. Chronicling the evolution of American political cinema from the 1930s, this book explores the genre's symbiotic relationship with the American political culture and history. Through textual analysis of a range of films and television series, Scott provides a critique of current and past developments across several sub-genres, including the bio-pic, the election film and documentary. New for this edition \" Analysis of the post-9\/11 and Bush era's effect on the American politics and cinema \" In-depth discussion of political documentaries, such as \/\/Fahrenheit 9\/11\/\/ and \/\/The Fog of War\/\/, as well as films from the 2000s, such as \/\/Man of the Year \/\/and \/\/State of Play\/\/ \" Expanded coverage of television series from \/\/The West Wing\/\/, through to \/\/24\/\/ and \/\/John Adams\/\/ Ian Scott is Senior Lecturer in American Studies at the University of Manchester. He is the author of \/\/In Capra's Shadow: The Life and Career of Screenwriter Robert Riskin\/\/ and \/\/From Pinewood to Hollywood: British Filmmakers in American Cinema\/\/. He has written extensively on representations of film and politics in America.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eDr Ian Scott is Senior Lecturer in American Studies at the University of Manchester.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 272\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.65 x 9.22 x 6.36 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e May 06, 2011\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481657430202,"sku":"9780748640232","price":76.86,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/pw0V3fauOe9780748640232.webp?v=1787696251"},{"product_id":"anatomy-of-the-slasher-film-a-theoretical-analysis-paperback","title":"Anatomy of the Slasher Film: A Theoretical Analysis - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eSotiris Petridis\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e The term \"slasher film\" was common parlance by the mid-1980s but the horror subgenre it describes was at least a decade old by then--formerly referred to as \"stalker,\" \"psycho\" or \"slice-'em-up.\" Examining 74 movies--from \u003ci\u003eThe Texas Chainsaw Massacre\u003c\/i\u003e (1974) to \u003ci\u003eTexas Chainsaw 3D\u003c\/i\u003e (2013)--the author identifies the characteristic elements of the subgenre while tracing changes in narrative patterns over the decades.\u003c\/p\u003e\u003cp\u003e The slasher canon is divided into three eras: the classical (1974-1993), the self-referential (1994-2000) and the neoslasher cycle (2000-2013).\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eSotiris Petridis\u003c\/b\u003e is an adjunct professor at Hellenic Open University, Greece. His research interests are about film and television genres, audiovisual horror, screenwriting theory and practice, viral marketing, and the new ways of film and television promotion and has written academic books and articles on cinema and audiovisual narrative. He is a member of the European Film Academy and the Greek Film Academy.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 178\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.5 x 8.7 x 5.9 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e May 28, 2019\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481657659578,"sku":"9781476674315","price":53.91,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/dzr2SyIVuA9781476674315.webp?v=1787696255"},{"product_id":"amateur-filmmaking-the-home-movie-the-archive-the-web-paperback","title":"Amateur Filmmaking: The Home Movie, the Archive, the Web - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eLaura Rascaroli\u003c\/b\u003e (Editor), \u003cb\u003eGwenda Young\u003c\/b\u003e (Editor), \u003cb\u003eBarry Monahan\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003eWith the advent of digital filmmaking and critical recognition of the relevance of self expression, first-person narratives, and personal practices of memorialization, interest in the amateur moving image has never been stronger. Bringing together key scholars in the field, and revealing the rich variety of amateur filmmaking-from home movies of Imperial India and film diaries of life in contemporary China, to the work of leading auteurs such as Joseph Morder and Péter Forgács-\u003ci\u003eAmateur Filmmaking\u003c\/i\u003e highlights the importance of amateur cinema as a core object of critical interest across an array of disciplines. With contributions on the role of the archive, on YouTube, and on the impact of new technologies on amateur filmmaking, these essays offer the first comprehensive examination of this growing field.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eLaura Rascaroli is Toyota Lecturer in Film and Media Studies at University College Cork, Ireland. She lectures on Italian film and television in the Department of Italian and on European cinema in the School of Languages and Literature. She is co-Chair of the Board of Film Studies and coordinates the MA in Film Studies. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eGwenda Young is Lecturer in Film Studies at University College Cork, Ireland. Her work has appeared in a variety of national and international journals, including \u003ci\u003eSight and Sound; Popular Culture Review; Film\/Film Culture; Film Ireland; Journal of Irish Association for American Studies\u003c\/i\u003e. She has also contributed to radio programmes on the national broadcaster, Radio Telefís Éireann, and local radio. \u003cp\u003e\u003c\/p\u003eBarry Monahan is Lecturer in Film Studies at University College, Cork, Ireland. He has written on, and researched, the relationship between the Abbey Theatre and cinema from the beginning of the sound period until the 1960s, something he explores in his monograph \u003ci\u003eIreland's Theatre on Film: Style, Stories and the National Stage on Screen \u003c\/i\u003e(2009).\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 392\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 1 x 9.2 x 6.1 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e February 13, 2014\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481657757882,"sku":"9781441191496","price":88.11,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/415eMvqTzL9781441191496.webp?v=1787696256"},{"product_id":"agency-and-imagination-in-the-films-of-david-lynch-philosophical-perspectives-paperback","title":"Agency and Imagination in the Films of David Lynch: Philosophical Perspectives - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eJames D. Reid\u003c\/b\u003e (Author), \u003cb\u003eCandace R. Craig\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eAgency and Imagination in the Films of David Lynch: Philosophical Perspectives offers a sustained philosophical interpretation of the filmmaker's work in light of classic and contemporary discussions of human agency and the complex relations between our capacity to act and our ability to imagine. With the help of the pathological characters that so often leave their unforgettable mark on Lynch's films, this book reveals several important ways in which human beings fail to achieve fuller embodiments of agency or seek substitute satisfactions in spaces of fantasy. In keeping with Lynch's penchant for unconventional narrative techniques, James D. Reid and Candace R. Craig explore the possibility, scope, and limits of the very idea of agency itself and what it might be like to renounce concepts of agency altogether in the interpretation and depiction of human life. In a series of interlocking readings of eight feature-length films and Twin Peaks: The Return that combine suggestive philosophical analysis with close attention to cinematic detail, Reid and Craig make a convincing case for the importance of David Lynch's work in the philosophical examination of agency, the vagaries of the human imagination, and the relevance of film for the philosophy of human action. Scholars of film studies and philosophy will find this book particularly useful.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eJames D. Reid is professor of philosophy at Metropolitan State University of Denver. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eCandace R. Craig teaches English at Pikes Peak Community College.\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 280\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.63 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e July 15, 2021\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481657856186,"sku":"9781498555951","price":84.51,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/bdqSZKsCyc9781498555951.webp?v=1787696257"},{"product_id":"an-accented-cinema-exilic-and-diasporic-filmmaking-paperback","title":"An Accented Cinema: Exilic and Diasporic Filmmaking - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eHamid Naficy\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eAn Accented Cinema\u003c\/i\u003e, Hamid Naficy offers an engaging overview of an important trend--the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of Naficy's work. Although the experience of expatriation varies greatly from one person to the next, the films themselves exhibit stylistic similarities, from their open- and closed-form aesthetics to their nostalgic and memory-driven multilingual narratives, and from their emphasis on political agency to their concern with identity and transgression of identity. The author explores such features while considering the specific histories of individuals and groups that engender divergent experiences, institutions, and modes of cultural production and consumption. Treating creativity as a social practice, he demonstrates that the films are in dialogue not only with the home and host societies but also with audiences, many of whom are also situated astride cultures and whose desires and fears the filmmakers wish to express. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e Comparing these films to Hollywood films, Naficy calls them \"accented.\" Their accent results from the displacement of the filmmakers, their alternative production modes, and their style. Accented cinema is an emerging genre, one that requires new sets of viewing skills on the part of audiences. Its significance continues to grow in terms of output, stylistic variety, cultural diversity, and social impact. This book offers the first comprehensive and global coverage of this genre while presenting a framework in which to understand its intricacies.\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\"\u003ci\u003eAn Accented Cinema\u003c\/i\u003e is in numerous respects a monumental work. It is an attempt to rewrite the history of contemporary cinema by reinventing the categories we use to think about production, consumption, and spectatorship. The energy behind this effort and the continual use of excellent examples to back up the argument make the book a unique and original work of scholarship. It is likely to produce a great deal of debate and interest among film scholars and cultural analysts.\"\u003cb\u003e--Ron Burnett, President and Professor, Emily Carr Institute of Art and Design\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\"Hamid Naficy's \u003ci\u003eAccented Cinema\u003c\/i\u003e offers a groundbreaking overview of theoretical and aesthetic debates concerning postcolonial, exilic, and diasporic forms of cinema. His analysis moves elegantly between high theory and sensitive 'close-up' readings of emblematic tropes in the work of key filmmakers in this field such as Kusturica, Guney, and Egoyan. The book is a major contribution to the study of transnational cultures and the cinematic production of cultural identities.\"\u003cb\u003e--David Morley, Goldsmiths College, University of London\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\"Hamid Naficy's magisterial account of an accented cinema proposes a timely reassessment of the ethics and aesthetics of the occidental center. In the details of language, perspective, and technique, the many significant films considered by Naficy invite us to a re-vision of our very understanding of cinema in the modern world.\"\u003cb\u003e--Iain Chambers, Istituto Universitario Orientale\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\"Drawing on highly literary and media theory, Naficy places accented films in an evolving, multilayered dialogue with home and host countries.\"\u003cb\u003e--Robert Avila, San Francisco\u003c\/b\u003e\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eBorn in Iran, \u003cb\u003eHamid Naficy\u003c\/b\u003e came to the United States in 1964 and is Professor of Film and Media Studies at Rice University. He has published extensively on exile and diaspora theory, culture, television, and cinema as well as on Third World and documentary cinema. Naficy is currently completing his long-awaited book on the Iranian cinema.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 392\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.84 x 9.26 x 6.22 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e April 29, 2001\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481658183866,"sku":"9780691043913","price":90.63,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/Lxo6xxdtW_9780691043913.webp?v=1787696261"},{"product_id":"beautiful-light-religious-meaning-in-film-paperback","title":"Beautiful Light: Religious Meaning in Film - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eRoy M. Anker\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eThough \"religious\" films usually don't get much respect in Hollywood, religion still regularly finds its way into the movies. In \u003ci\u003eBeautiful Light\u003c\/i\u003e Roy Anker seeks out the often unnoticed connections between film and religion and shows how even films that aren't overtly religious or Christian in their content can be filled with deep religious insights and spiritual meaning. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e Closely examining nine critically acclaimed films, including \u003ci\u003eMagnolia, The Apostle, American Gigolo\u003c\/i\u003e, and M. Night Shyamalan's \u003ci\u003eWide Awake\u003c\/i\u003e, Anker analyzes the ways in which these movies explore what it means to be human--and what it means, as human beings, to wrestle with a sometimes unwieldy divine presence. Addressing questions of doubt and belief, despair and elation, hatred and love, Anker's work sheds \"beautiful light\" on some of Hollywood's most profound and memorable films.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eRoy M. Anker\u003c\/b\u003e taught film and literature for many years at Calvin College, Grand Rapids, Michigan. His other books include \u003ci\u003eCatching Light: Looking for God in the Movies\u003c\/i\u003e and \u003ci\u003eOf Pilgrims and Fire: When God Shows Up at the Movies\u003c\/i\u003e.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 282\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.8 x 8.9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e May 24, 2017\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481670078650,"sku":"9780802873699","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/VioSevviWl9780802873699.webp?v=1787696665"},{"product_id":"body-genre-anatomy-of-the-horror-film-paperback","title":"Body Genre: Anatomy of the Horror Film - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eDavid Scott Diffrient\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eIn this groundbreaking work, author David Scott Diffrient explores largely understudied facets of cinematic horror, from the various odors permeating classic and contemporary films to the wetness, sliminess, and stickiness of these productions, which, he argues, practically scream out for a tactile mode of \u003ci\u003etextural\u003c\/i\u003e analysis as much as they call for more traditional forms of \u003ci\u003etextual\u003c\/i\u003e analysis. Dating back to Carol Clover's and Linda Williams's pioneering work on horror cinema, film scholars have long conceptualized this once-disreputable category of cultural production as a \"body genre.\" However, despite the growing recognition that horror serves important biological and social functions in our lives, scholars have only scratched the surface of this genre with regard to its affective, corporeal, and sensorial appeals. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eDiffrient anatomizes horror films in much the same way that a mad scientist might handle the body, separating and recombining constitutive parts into a new analytical whole. Further, he challenges the tendency of scholars to privilege human over nonhuman beings and calls into question ableist assumptions about the centrality to horror films of sight and sound to the near exclusion of other forms of sense experience. In addition to examining the role that animals--living or dead, real or fake--play in human-centered fictions, this volume asks what it means for audiences to consume motion pictures in which actors, stunt performers, and other creative personnel have put their own bodies and lives at risk for our amusement. Historically grounded and theoretically expansive, \u003ci\u003eBody Genre: Anatomy of the Horror Film\u003c\/i\u003e moves the study of cinematic horror into previously unchartered waters and breathes life into a subject that, not coincidentally, is intimately connected to breathing as our most cherished dividing line between life and death.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eDavid Scott Diffrient \u003c\/b\u003eis professor of film and media studies at Colorado State University. He is coeditor of \u003ci\u003eScrewball Television: Critical Perspectives on \"Gilmore Girls\"\u003c\/i\u003e and \u003ci\u003eEast Asian Film Remakes\u003c\/i\u003e, as well as author of several books including \u003ci\u003eOmnibus Films: Theorizing Transauthorial Cinema \u003c\/i\u003eand \u003ci\u003eComic Drunks, \u003c\/i\u003e \u003ci\u003eCrazy Cults, and Lovable Monsters: Bad Behavior on American Television.\u003c\/i\u003e\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 328\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.73 x 9.21 x 6.14 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e November 03, 2023\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481670275258,"sku":"9781496847973","price":63.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/YE0AmNRjW29781496847973.webp?v=1787696665"},{"product_id":"black-arab-encounters-in-literature-and-film-paperback","title":"Black-Arab Encounters in Literature and Film - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eTouria Khannous\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThis book investigates how representations of Black Africans have been negotiated over time in Arabic literature and film. It will be of interest to scholars of the African diaspora, Arabic literature, Middle East studies and critical race studies.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTouria Khannous\u003c\/strong\u003e is an Associate Professor at Louisiana State University, Baton Rouge, USA.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 146\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.35 x 9.21 x 6.14 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e May 31, 2023\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481670340794,"sku":"9781032052960","price":97.18,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/rURbzWmFHA9781032052960.webp?v=1787696665"},{"product_id":"between-film-video-and-the-digital-hybrid-moving-images-in-the-post-media-age-paperback","title":"Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eJihoon Kim\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eEncompassing experimental film and video, essay film, gallery-based installation art, and digital art, Jihoon Kim establishes the concept of hybrid moving images as an array of impure images shaped by the encounters and negotiations between different media, while also using it to explore various theoretical issues, such as stillness and movement, indexicality, abstraction, materiality, afterlives of the celluloid cinema, archive, memory, apparatus, and the concept of medium as such. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eGrounding its study in interdisciplinary framework of film studies, media studies, and contemporary art criticism, \u003ci\u003eBetween Film, Video, and the Digital \u003c\/i\u003eoffers a fresh insight on the post-media conditions of film and video under the pervasive influences of digital technologies, as well as on the crucial roles of media hybridity in the creative processes of giving birth to the emerging forms of the moving image. Incorporating in-depth readings of recent works by more than thirty artists and filmmakers, including Jim Campbell, Bill Viola, Sam Taylor-Johnson, David Claerbout, Fiona Tan, Takeshi Murata, Jennifer West, Ken Jacobs, Christoph Girardet and Matthias Müller, Hito Steyerl, Lynne Sachs, Harun Farocki, Doug Aitken, Douglas Gordon, Stan Douglas, Candice Breitz, among others, the book is the essential scholarly monograph for understanding how digital technologies simultaneously depend on and differ film previous time-based media, and how this juncture of similarities and differences signals a new regime of the art of the moving image.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eJihoon Kim \u003c\/b\u003eis Assistant Professor in the Department of Film Studies at Chung-ang University, South Korea, after teaching in the Division of Broadcast and Cinema Studies at Wee Kim Wee School of Communication and Information, Nanyang Technological University, Singapore. His essays have appeared in \u003ci\u003eScreen, Film Quarterly, Animation: An Interdisciplinary Journal, Millennium Film Journal, Leonardo Electronic Almanac\u003c\/i\u003e, and the anthologies \u003ci\u003eGlobal Art Cinema: New Histories and Theories\u003c\/i\u003e (2010), and \u003ci\u003eTaking Place: Location and the Moving Image\u003c\/i\u003e (2011), among others.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 416\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.83 x 8.5 x 5.5 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e February 22, 2018\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481670406330,"sku":"9781501339554","price":88.11,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/IOEiaw8Nhs9781501339554.webp?v=1787696668"},{"product_id":"black-women-filmmakers-and-black-love-on-screen-hardcover","title":"Black Women Filmmakers and Black Love on Screen - Hardcover","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eBrandale N. Mills\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThis book offers a thorough analysis of how romantic love between Black men and women (referred to here as Black Love) is portrayed in Hollywood films, specifically from the perspective of Black female filmmakers. Using historical and contemporary images of Black female representation in the media as a foundation, the main themes of this text focus on the male gazes' influence on Hollywood narratives, the necessity for the Black female perspective in Hollywood, and that perspective's influence on ideologies and narratives. \u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBrandale Mills\u003c\/strong\u003e, PhD, is a faculty member at Central New Mexico Community College in the Communications Department.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 92\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.25 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e December 10, 2018\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481670570170,"sku":"9781138602953","price":129.58,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/QFRqI2e2Mm9781138602953.webp?v=1787696673"},{"product_id":"bible-and-cinema-fifty-key-films-paperback","title":"Bible and Cinema: Fifty Key Films - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eAdele Reinhartz\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eBible and Cinema: Fifty Key Films\u003c\/em\u003e introduces a wide range of those movies - among the most important, critically-acclaimed and highest-grossing films of all time - which have drawn inspiration, either directly or indirectly, from the Bible.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAdele Reinhartz\u003c\/strong\u003e is Professor in the Department of Classics and Religious Studies at the University of Ottawa. She has authored a number of books on the Bible, including \u003ci\u003eBefriending the Beloved Disciple: A Jewish Reading of the Gospel of John\u003c\/i\u003e (2001) and \u003ci\u003eCaiaphas the High Priest (2011)\u003c\/i\u003e, as well on the intersection of Bible and film, including \u003ci\u003eScripture on the Silver Screen\u003c\/i\u003e (2003) and \u003ci\u003eJesus of Hollywood\u003c\/i\u003e (2007). \u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 276\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.9 x 8.4 x 5.4 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e October 29, 2012\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481670602938,"sku":"9780415677196","price":69.64,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/6bybgW2sNw9780415677196.webp?v=1787696673"},{"product_id":"border-witness-reimagining-the-us-mexico-borderlands-through-film-paperback","title":"Border Witness: Reimagining the Us-Mexico Borderlands Through Film - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eMichael Dear\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003cb\u003eWhat a century of border films teaches about the real and imagined worlds of the US-Mexico borderlands--and how this understanding helps build better relations across boundaries.\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003ci\u003eBorder Witness\u003c\/i\u003e is an account of cultural collision and fusion between Mexico and the United States, as seen on the ground and in films from the past hundred years. Blending film studies with political and cultural geography, Michael Dear investigates the making of cross-border identity and community in the territories between two nations. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eBorder Witness\u003c\/i\u003e introduces a new \"border film\" genre just now entering its golden age. A geographer and activist, Dear adopts an accessible and engaged perspective, combining the stories told by these films with insights drawn from his own decades-long research and travel. From early silent films to virtual reality, and from revolution to the present global crisis, border films provide fresh evidence for real and imagined politics and for envisioning future transborder architectures carved from in-between spaces. In an era of global geopolitics that favors walls and war over diplomacy, Dear's insights have relevance for borders around the world.\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003e\u003ci\u003eBorder Witness\u003c\/i\u003e is an important primer for those interested in the evolution of the borderlands as told through film and the stories connected to its people, culture, politics, and ecology. It serves as an invaluable archive discussing the role that cinema has had in shaping an understanding of the stereotypes, misconceptions, and realities of the border on both sides.--Ron Rael, Chair of the Department of Art Practice and Professor of Architecture, University of California, Berkeley \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e \"This fresh look at border cinema combines personal memories and affective experiences on the US-Mexico border with film interpretation. Through a series of vignettes, this book takes a fluid historical journey across the different ways this border has been represented in the cinema. This agile and cultivated text constitutes a new piece in the complex puzzle of interpretations regarding the meaning of border life and its representations.\"--Norma V. Iglesias-Prieto, Professor Emerita, Department of Chicana and Chicano Studies, San Diego State University \u003cp\u003e\u003c\/p\u003e \"Michael Dear takes us on a gripping account where fiction, real life, and lived experience intertwine to illuminate how the US-Mexico borderlands are portrayed and imagined. An original and persuasive journey along that shared space crisscrossed by enduring connections that no wall will ever break. A must-read for border scholars and all those intrigued by this fascinating border.\"--Christophe Sohn, Co-Editor in Chief of the \u003ci\u003eJournal of Borderlands Studies\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003e \"This exquisite book delves into the dynamics of filmmakers working in the social and geopolitical context of the dynamic US-Mexico border. It is a must-read for anyone who wants to understand the way that cinema functions and the inspiration that it draws from reality. It has deep relevance for border filmmakers and audiences around the world.\"--Amos Gitai, Architect and Film Builder\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eMichael Dear\u003c\/b\u003e is author of \u003ci\u003eWhy Walls Won't Work\u003c\/i\u003e and other works on border urbanism, Latinx culture in Los Angeles, and the urban humanities. He is a critic and curator, most recently of \u003ci\u003eCalifas: Art of the US-Mexico Borderlands\u003c\/i\u003e. \u003cbr\u003e\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 318\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.9 x 8.9 x 5.9 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e February 21, 2023\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481670963386,"sku":"9780520391949","price":53.91,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/zqtF8P9pom9780520391949.webp?v=1787696676"},{"product_id":"black-masculinity-on-film-native-sons-and-white-lies-hardcover","title":"Black Masculinity on Film: Native Sons and White Lies - Hardcover","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eDaniel O'Brien\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eOffers wide-ranging commentary on depictions of the black male in mainstream cinema, American and European\u003cbr\u003eExplores counter-representations of black masculinity which challenge racial stereotypes, exhibiting aspects positive, progressive and subversive\u003cbr\u003eHighlights key black performers, genres and franchises underrepresented in previous commentary\u003cbr\u003eWill appeal to both the academic and the general reader interested in film, race, gender and colonial issues\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003eThis book provides wide-ranging commentary on depictions of the black male in mainstream cinema. O'Brien explores the extent to which counter-representations of black masculinity have been achieved within a predominately white industry, with an emphasis on agency, the negotiation and malleability of racial status, and the inherent instability of imposed racial categories. Focusing on American and European cinema, the chapters highlight actors (Woody Strode, Noble Johnson, Eddie Anderson, Will Smith), genres (jungle pictures, westerns, science fiction) and franchises (Tarzan, James Bond) underrepresented in previous critical and scholarly commentary in the field. The author argues that although the characters and performances generated in these areas invoke popular genre types, they display complexity, diversity and ambiguity, exhibiting aspects that are positive, progressive and subversive. This book will appeal to both the academic and the general reader interested in film, race, gender and colonial issues.\u003cbr\u003e\u003cb\u003eDaniel O'Brien\u003c\/b\u003e is Lecturer at the University of Southampton. He is a writer and historian in film studies and a film tutor in Medical Humanities. His recent publications include\u003ci\u003e Classical Masculinity and the Spectacular Body on Film: The Mighty Sons of Hercules\u003c\/i\u003e (Palgrave Macmillan 2014).\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eDaniel O'Brien\u003c\/b\u003e is Film Tutor in Medical Humanities at the University of Southampton, UK. He is a writer and historian in film studies and a film tutor in Medical Humanities. His recent publications include \u003ci\u003eClassical Masculinity and the Spectacular Body on Film: The Mighty Sons of Hercules\u003c\/i\u003e (Palgrave Macmillan 2014).\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 221\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.56 x 8.27 x 5.83 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e September 20, 2017\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481671028922,"sku":"9781137593221","price":178.18,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/MgaZQ-jIPN9781137593221.webp?v=1787696676"},{"product_id":"best-psychology-in-film-paperback","title":"Best Psychology in Film - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eKatherine S. Marshall Woods\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eBest Psychology in Film explores psychological dynamics found within Academy Award(R) winning and nominated films. Providing character analyses applying psychological findings within literature allows for the examination of an array of human emotions including grief, disappointment, shame, betrayal and loyalty. Best Psychology in Film acknowledges that psychology is all around us. This literature brings you upon a journey of the joy and pain experienced by a host of extraordinary cinematic characters while gaining a better understanding of the human condition. Best Psychology in Films is an ideal teaching tool for a myriad of psychological and film courses (i.e. Introduction to Psychology, Life Span, Psychopathology, Character Development etc.) while equally inviting to those who muse upon films. \u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 304\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.64 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e December 30, 2018\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481671159994,"sku":"9780578429021","price":43.18,"currency_code":"USD","in_stock":true}]},{"product_id":"bible-and-film-the-basics-paperback","title":"Bible and Film: The Basics - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eMatthew S. Rindge\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003ci\u003e \u003c\/i\u003e\u003cp\u003eBible and Film: The Basics is a concise, accessible, and illuminating introduction to the study of Bible and Film. The book introduces non-specialists to the essential content in Bible and Film, and to some of the most common and important methods Bible and Film scholars use. \u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMatthew S. Rindge\u003c\/strong\u003e is Professor of Religious Studies at Gonzaga University, USA. For six years he chaired the Bible and Film section in the Society of Biblical Literature. \u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 222\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.47 x 7.81 x 5.06 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e July 22, 2021\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481671225530,"sku":"9780815392231","price":46.96,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/NqRFHnyM8O9780815392231.webp?v=1787696678"},{"product_id":"black-film-through-a-psychodynamic-lens-paperback","title":"Black Film Through a Psychodynamic Lens - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eKatherine Marshall Woods\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eBlack Film Through a Psychodynamic Lens\u003c\/i\u003e delves into the nuanced character development and narrative themes within the struggles and successes presented in Black films over the last five decades.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eKatherine Marshall Woods\u003c\/b\u003e is a media and licensed clinical psychologist based in Washington, DC and an assistant professor at the George Washington University, USA.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 136\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.31 x 9.21 x 6.14 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e November 13, 2024\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481671291066,"sku":"9781032508399","price":69.64,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/tbMsFJdnhl9781032508399.webp?v=1787696679"}],"url":"https:\/\/booksonfilm.com\/collections\/film-theory-culture-criticism.oembed","provider":"BooksOnFilm","version":"1.0","type":"link"}