{"title":"Screenwriting \u0026 Storytelling","description":null,"products":[{"product_id":"3-entertainments-works-for-film-and-television-paperback","title":"3 Entertainments: Works for Film and Television - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eWeldon Kees\u003c\/b\u003e (Author), \u003cb\u003eJames Reidel\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003cem\u003e3 Entertainments\u003c\/em\u003e brings together three works for film and television by the American poet Weldon Kees, whose work was introduced to the United Kingdom by Michael Hofmann and Simon Armitage in the 1990s and published by Faber \u0026amp; Faber. A champion of film noir and B-pictures, Kees collaborated on two screen stories in the early 1950s, 'Assignment to Peril, ' a Cold War thriller set in Istanbul, and 'Gadabout, ' which hints darkly of the CIA's LSD doping project, MKUltra. The latter, which is only a fragment, also includes a transcript of a tape on which Kees brainstorms the plot and characters. 'The Waiting Room, ' a stage play adapted for television, is likely Kees's last work before he disappeared from the Golden Gate Bridge in July 1955. With an introduction and notes by Kees's biographer, James Reidel, \u003cem\u003e3 Entertainments\u003c\/em\u003e fills a void in Kees's opus and reveals his 'third way' of reconciling a life of art in the inhospitable and desolate culture of postwar America.\u003c\/p\u003e\u003cbr\u003eBesides these moving poems, Weldon Kees left behind an excellent play of the type now most successful off-Broadway, called 'The Waiting Room.' I hope his heirs will make it available soon. Like his poems, it was a few years too early.\u003cbr\u003e-Kenneth Rexroth\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 98\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.25 x 8 x 5.25 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e March 15, 2024\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481620009146,"sku":"9781916590045","price":18.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/BQAdfzqgGq9781916590045.webp?v=1787695392"},{"product_id":"26-short-screenplays-for-independent-filmmakers-vol-1-paperback","title":"26 Short Screenplays for Independent Filmmakers, Vol. 1 - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eSam Lotfi\u003c\/b\u003e (Illustrator), \u003cb\u003eCal Slayton\u003c\/b\u003e (Illustrator), \u003cb\u003eM. Robert Turnage\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e26 Short Screenplays for Independent Filmmakers is a collection of creative commons, open source screenplays for independent filmmakers to use to hone their film making skills or to build their portfolios. Each script has a cinematic task (such as create a montage or showcase an actress) associated with it as well as a story and dialogue. More information can be found at www.26screenplays.com.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eM. Robert Turnage is a consultant and writer based in Dallas, TX. He managed a video store for several years and served on the board of the Dallas Screenwriter's Association. He is very fond of movies and will not judge you for loving Pretty Woman.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 280\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.59 x 10 x 8 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e January 27, 2010\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481619976378,"sku":"9780972308625","price":35.1,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/8tcxHAMVbe9780972308625.webp?v=1787695392"},{"product_id":"a-masterclass-in-dramatic-writing-theater-film-and-television-paperback","title":"A Masterclass in Dramatic Writing: Theater, Film, and Television - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eJanet Neipris\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eA Masterclass in Dramatic Writing\u003c\/em\u003e addresses all three genres of dramatic writing - for theatre, film and TV - in a comprehensive, one-semester, 14-week masterclass for the dramatic writer.\u003c\/p\u003e\u003cp\u003eThis book is tightly focused on the practical outcome of completing a first draft and first rewrite of a dramatic work, drawing on Professor Janet Neipris' many years of experience as the head of Dramatic Writing at NYU Tisch. The fourteen chapters, organized like a semester, take the reader week-by-week and step-by-step through writing a first draft of an original play, screenplay, or TV pilot, while also teaching the core principles of dramatic writing. Chapters include Beginnings, Creating Complex Characters, Dialogue, Escalating Conflicts, Endings, Checkpoints, Comedy, and Adaptation, and there are Weekly Exercises and progressive Assignments.\u003c\/p\u003e\u003cp\u003eThis book is perfect for professional writers, teachers, and students of dramatic writing, as well as anyone who wants to complete their first dramatic work.\u003c\/p\u003e\u003cp\u003eAn award-winning playwright and Professor of Dramatic Writing at NYU, Janet Neipris has written for Screen and Television. She has also taught dramatic writers at UCLA and in China, Australia, Indonesia, South Africa, Italy, and in the UK at Oxford, CSSD, University of Birmingham, and the University of East Anglia. Previous publications include \u003ci\u003eTo Be A Playwright (\u003c\/i\u003eRoutledge 2006). Janet Neipris's plays and letters are in the Theatre Collection of Harvard University's Houghton Library. 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Duncan\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eA Guide to Screenwriting Success, Second Edition provides a comprehensive overview of writing--and rewriting--a screenplay or teleplay and writing for digital content. Duncan's handy book teaches new screenwriters the process of creating a professional screenplay from beginning to end. It shows that inspiration, creativity, and good writing are not elusive concepts but attainable goals that any motivated person can aspire to. Duncan includes sections on all aspects of screenwriting--from character development to story templates--and breaks down the three acts of a screenplay into manageable pieces. A Guide to Screenwriting Success contains dozens of exercises to help writers through these steps. The second half of Duncan's practical book covers another, often overlooked, side of screenwriting--the teleplay. Aspiring writers who also want to try their hand at writing for television will need to learn the specifics of the field. The book breaks down this area into two parts, the one-hour teleplay and the situation comedy. There is a section on writing and producing digital content that embraces the \"Do It Yourself\" attitude to approaching a career in the entertainment industry. Success in screenwriting is no longer a dream but an achievable goal for those who pick up Duncan's guide.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eStephen V. Duncan is a tenured professor of screenwriting at the Loyola Marymount University's School of Film and Television in Los Angeles, Calif. He has served as chair of the screenwriting department and interim dean. 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Wilkerson and a commentary by Spike Lee, this completely restored screenplay is the accurate and authoritative edition of Lorraine Hansberry's script and a testament to her unparalled accomplishment as a Black artist.\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eThe 1961 film version of \u003ci\u003eA Raisin in the Sun\u003c\/i\u003e, with a screenplay by the author, Lorraine Hansberry, won an award at the Cannes Film Festival even though one-third of the actual screenplay Hansberry had written had been cut out. The film did essentially bring Hansberry's extraordinary play to the screen, but it failed to fulfill her cinematic vision. \u003cp\u003e\u003c\/p\u003eNow, with this landmark edition of Lorraine Hansberry's original script for the movie of \u003ci\u003eA Raisin in the Sun\u003c\/i\u003e that audiences never viewed, readers have at hand an epic, eloquent work capturing not only the life and dreams of a Black family, but the Chicago--and the society--that surround and shape them. \u003cp\u003e\u003c\/p\u003eImportant changes in dialogue and exterior shots, a stunning shift of focus to her male protagonist, and a dramatic rewriting of the final scene show us an artist who understood and used the cinematic medium to transform a stage play into a different art form--a profound and powerful film.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eLorraine Hansberry \u003c\/b\u003e(1930-1965) electrified the theatrical world with her first play, \u003ci\u003eA Raisin in the Sun\u003c\/i\u003e, which won the New York Critics Circle Award for the 1958-59 season. 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Wilkerson and a commentary by Spike Lee, this completely restored screenplay is the accurate and authoritative edition of Lorraine Hansberry's script and a testament to her unparalled accomplishment as a Black artist.\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eThe 1961 film version of \u003ci\u003eA Raisin in the Sun\u003c\/i\u003e, with a screenplay by the author, Lorraine Hansberry, won an award at the Cannes Film Festival even though one-third of the actual screenplay Hansberry had written had been cut out. The film did essentially bring Hansberry's extraordinary play to the screen, but it failed to fulfill her cinematic vision. \u003cp\u003e\u003c\/p\u003eNow, with this landmark edition of Lorraine Hansberry's original script for the movie of \u003ci\u003eA Raisin in the Sun\u003c\/i\u003e that audiences never viewed, readers have at hand an epic, eloquent work capturing not only the life and dreams of a Black family, but the Chicago--and the society--that surround and shape them. \u003cp\u003e\u003c\/p\u003eImportant changes in dialogue and exterior shots, a stunning shift of focus to her male protagonist, and a dramatic rewriting of the final scene show us an artist who understood and used the cinematic medium to transform a stage play into a different art form--a profound and powerful film.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eLorraine Hansberry \u003c\/b\u003e(1930-1965) electrified the theatrical world with her first play, \u003ci\u003eA Raisin in the Sun\u003c\/i\u003e, which won the New York Critics Circle Award for the 1958-59 season. 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Developing and testing a theory of writing. Discusses such topics as originality, credibility, contrivance, crudeness, monotony, repetition. Story appeal, story impact. Threat, hope, need to know, tension and pace. Character realization, character identification, character appeal, repellant characters, character change, character and dynamics, a group as a character. The reality of relationships, the identity of relationships, the appeal of relationships, relationships and dynamics. Architecture, design, types of structure, sequential structuring, story steps, the set-up, openings, endings. Embodiment, scene appeal, scene impact. Micro-dynamics. Point of view. Voice. Showing, telling and doing. Setting. Titles. Comedy.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 308\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.81 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e June 25, 2003\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481645633722,"sku":"9780595657605","price":34.51,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/eTYw9R-DaP9780595657605.webp?v=1787695964"},{"product_id":"between-the-scenes-what-every-film-director-writer-and-editor-should-know-about-scene-transitions-paperback","title":"Between the Scenes: What Every Film Director, Writer, and Editor Should Know about Scene Transitions - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eJeffrey Michael Bays\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eBetween the Scenes delivers a fresh approach to film directing, screenwriting, and editing. Once you've got your scenes planned out, this book steps in by shifting your focus to how your individual sequences and scenes connect to each other. You'll find new ways to create emotional feelings in your audience. From location choices, to character movement between scenes, to the use of music, scene transitions are where the meat is in your story, and now you'll discover a new pallet of creative possibilities.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eJeffrey Michael Bays is most widely known for XM Satellite radio's groundbreaking drama Not From Space (2003), a feature-length radio play that pioneered Internet recording techniques. In addition to his radio career, Jeffrey is a film scholar and director, and runs the popular Hitchcock website How to Turn your Boring Movie\u003cbr\u003eInto a Hitchcock Thriller. As an avid fan of Alfred Hitchcock, Jeffrey directed the Australian suspense film Offing David starring Nathaniel Buzolic (Vampire Diaries). Jeffrey has a BA from Webster University, and an MA in Cinema from La Trobe University, Australia.\u003cbr\u003e\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 166\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.4 x 7.5 x 11 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e February 01, 2014\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481670176954,"sku":"9781615931699","price":29.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/PSgj99IFOf9781615931699.webp?v=1787696665"},{"product_id":"book-to-movie-how-to-turn-a-book-into-a-movie-or-tv-series-scripts-film-production-funding-the-process-obstacles-and-legalities-paperback","title":"Book to Movie. How to turn a book into a movie or TV series. Scripts, Film Production, Funding, The Process, Obstacles and Legalities. - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eJames Overtone\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eBook to Movie is the ultimate handbook for authors and scriptwriters who will want to adapt their books and scripts into movies or TV series. The information, tips and guidelines contained in the book will also be of help to individuals and organisations that have interest in the movie industry. The book provides useful information and resources in filmmaking industries as well as step-by-step instructions on how to get a book turned into a movie. The book is divided in three sections. The first section takes a look at the movie industry in order to enable the reader to have an insight into the filmmaking market. The second section handles the process of turning a book into a movie. The third section deals with the legal aspects of the movie industry. There is no section on the business component of the filmmaking industry as it does fall within the scope of the work. However, some important points about this essential part of the industry are scattered across each of the sections in the course of the discussion. Covered in this book: - Copyright - Difference between movies and TV shows - Directories - Filmmaking - Funding - Myths - Obstacles - Option - Pitching - Production - Query letter - Royalties - Screenplay - The Movie Industry - The process - Types of movies ...and much more.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 108\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.22 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e January 02, 2018\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46481670308026,"sku":"9781788650328","price":16.51,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/J2OCJLUhNQ9781788650328.webp?v=1787696665"},{"product_id":"cinematics-storyboard-workshop-filmmaking-essentials-for-the-entry-level-storyboard-artist-paperback","title":"Cinematics Storyboard Workshop: Filmmaking Essentials for the Entry-Level Storyboard Artist - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eGregg Davidson\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003ci\u003eCinematics Storyboard Workshop\u003c\/i\u003e is for any artist who wants to learn how to create professional, production-ready storyboards for film, animation, television, and video game cinematics. \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eModeled on the Cinematics course by artist and educator Gregg Davidson, this must-have guidebook is a concise, in-depth guide to the fundamentals: from storyboard mechanics and camera angles, to shot progression and staging, as well as current digital storyboarding and previsualization practices. Founder of The Animation Academy, Charles Zembillas, called \u003ci\u003eCinematics Storyboard Workshop\u003c\/i\u003e \"one of the best books on learning how to storyboard.\"\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 96\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.3 x 5.4 x 8.4 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e July 19, 2019\u003c\/div\u003e\n            ","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":46485046067386,"sku":"9781624650413","price":17.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0777\/6544\/3770\/files\/m-Yj-l92Kx9781624650413.webp?v=1787782835"}],"url":"https:\/\/booksonfilm.com\/collections\/screenwriting-storytelling.oembed","provider":"BooksOnFilm","version":"1.0","type":"link"}